Michael Brown

Michael Brown

Retouching People: Part 2

Slide Duration:

Table of Contents

Section 1: Introduction
Introduction To Photoshop

14m 46s

Intro
0:00
Lesson Overview
0:09
Learning Photoshop
0:51
Key To Learning Photoshop
0:52
Four Categories of Photoshop
1:39
Selections
1:40
Corrections
2:23
Retouching
2:40
Manipulation
3:15
Bridge, Camera RAW, and Photoshop Overview
3:46
Bridge
3:47
Camera RAW
4:26
Photoshop
5:03
Example: Editing an Image
5:30
Working In Bridge
5:36
Working In Camera RAW
7:19
Working In Photoshop
9:15
Shadows & Highlights Adjustment
10:02
Cropping & Canvas Size Adjustment
10:49
Noise Adjustment
12:24
Lesson Summary
14:02
The Importance of Quality

17m 46s

Intro
0:00
Lesson Overview
0:07
The Mantra of Quality
2:07
The Mantra of Quality
2:08
Setting Up Your Camera
3:50
Setting Up Your Camera For JPEG & RAW
3:51
Camera Image Quality and Image Size Screenshots
5:55
Some Tips on Taking Quality Photos
8:28
Fill The Frame & Compose your Shot Tightly In The Monitor
8:53
Example 1: Taking Quality Photos
9:20
Example 2: Taking Quality Photos
10:28
Example 3: Taking Quality Photos
10:53
Check Your Focus
11:46
Be Careful of Camera Shake
13:06
Make Sure That You Get The Best Exposure
14:24
Shoot Multiple Angles and Focal Lengths
15:14
Shoot Several Shots of a Scene If You Can
17:10
Light & Color

15m 27s

Intro
0:00
Lesson Overview
0:06
A Simple Lesson in Light & Color
1:07
What is Light?
1:08
Brightness
1:19
Color
2:26
Transmitted Light vs. Reflected Light
3:01
Transmitted Light is Additive
4:34
Reflected Light is Subtractive
6:23
Why Is This Important In Photoshop?
7:16
Color Spaces
7:48
Visible Spectrum of Color
8:12
ProPhoto RGB
8:42
Adobe RGB
9:58
sRGB
10:40
CMYK
11:34
Set Camera to Adobe RGB and Photoshop Default to Adobe RGB
13:10
RGB vs. CMYK
14:11
White Balance and Monitor Calibration

17m 34s

Intro
0:00
Lesson Overview
0:06
White Balance
0:55
What is White Balance?
0:56
White Balance Preset In Your Camera
1:53
Example: White Balance
3:09
Daylight
4:06
Tungsten
4:36
Shade
5:33
How Does White Balance Apply in Photoshop?
6:56
Camera RAW & Temperature Slider
6:57
Monitor Calibration
8:39
Monitor Calibration
8:40
Calibrating Your Monitor Overview
9:32
A Basic Color Monitor Calibration Method
10:51
A Basic Method for Calibrating to a Printer
13:25
Lesson Summary
17:03
Section 2: Workspace
The Workspace

20m 17s

Intro
0:00
The Work Space
0:15
Application Frame
0:16
The New Interface
2:22
The Tool Bar
4:28
The Options Bar
7:31
The Menu Bar
8:38
The Panels
9:16
Mini Bridge and Video Timeline
11:20
The Document Window
12:39
Arranging Documents
16:15
Customizing Your Workspace
17:33
Lesson Summary
19:27
The Tool Bar & Essential Shortcuts

14m 16s

Intro
0:00
Lesson Overview
0:06
Essential Key Commands in Photoshop
0:43
Photoshop Tools - Defined
1:40
Photoshop CS6 Tools & Tool Shortcut Key
2:14
Photoshop CS6 Tools & Tool Shortcut Key: Overview
2:15
Move Tool
2:51
Hand Tool
3:04
Marquee Tool
3:26
Lasso Tool
3:42
Quick Selection Tool & Magic Wand Tool
4:11
Crop Tool
4:41
Perspective Crop Tool & Slice Tool
7:32
Color Sampler & Eyedropper Tool
8:09
Healing Brush Tool
9:14
Brush/Pencil Tool
9:28
Clone/Pattern Stamp Tool
9:37
History Brush Tool
9:52
Eraser Tool
10:07
Gradient
10:16
Blur/Sharpen/Smudge Tool
10:23
Dodge/Burn/ Sponge Tool
10:31
Pen Tool
10:43
Text Tool
10:50
Path Selection Tool
11:03
Shape Tool
11:09
Hand & Rotate View Tool
11:37
Zoom Tool
11:57
Quick Mask
13:01
Screen Mode
13:17
The Menu Bar

17m

Intro
0:00
Lesson Overview
0:07
File
0:34
New
0:50
Open
1:05
Browse in Bridge and Mini Bridge
1:14
Open as Smart Objects
1:33
Open Recent
1:56
Close, Close All, Close and Go to Bridge…
2:55
Save, Save As, and Save for Web
3:22
Place, Import, Export
4:00
Automate
4:09
Scripts
5:21
Edit
6:18
Undo, Step Forward, and Step Backward
6:19
Cut, Copy, Paste, and Paste Special
6:47
Fill and Stroke
7:10
Content-Award Scale & Puppet Warp
7:17
Free Transform and Transform
7:29
Color Settings & Keyboard Shortcuts
7:50
Image
8:27
Mode
8:30
Adjustments
9:07
Layer
10:08
Layer
10:09
Type
10:31
Type
10:32
Filter
11:24
Filter
11:25
View
12:04
Proof Setup & Colors
12:11
Rulers
12:46
Show Grid & Guides
13:04
Show Pixel Grid
13:58
Window
14:57
Window
14:58
Help
15:27
Help
15:28
Setting Preferences

18m 36s

Intro
0:00
Setting Preferences: General
0:21
Color Picker, HUD Color Picker, and Image Interpolation
0:22
Auto-Update Open Documents, Beep When Done, and Dynamic Color Sliders
1:54
Export Clipboard
2:27
Use Shift Key for Tool Switch
2:40
Resize Image During Place
3:15
Animated Zoom
3:51
Zoom Resizes Windows
4:30
Zoom with Scroll Wheel & Zoom Clicked Point to Center
5:01
Flick Panning
5:33
Vary Round Brush Hardness Based on HUD Vertical Movement
5:49
Place or Drag Raster Images as Smart Objects
6:06
Setting Preferences: Interface
6:33
Appearance
6:44
Options
7:08
Setting Preferences: File Handling
7:44
File Saving Options
7:45
File Compatibility
9:40
Camera Raw Preferences
10:34
Setting Preferences: Performance
12:35
Memory Usage
12:36
History & Cache
13:36
Graphics Processor Settings
14:05
Setting Preferences: Cursors
14:36
Painting Cursors
14:37
Other Cursors & Brush Preview
15:29
Setting Preferences: Transparency & Gamut
15:41
Transparency Settings
15:42
Gamut Warning
15:54
Setting Preferences: Units & Rulers
16:36
Units & Rulers
16:37
Setting Preferences: Guides, Grid & Slices
16:50
Guides, Grid and Slices
16:51
Setting Preferences: Plug-in & Type
17:52
Plug-in & Type
17:53
Section 3: Adobe Bridge
Adobe Bridge Overview

18m 13s

Intro
0:00
Lesson Overview
0:06
The Basic Interface
0:53
Starting Adobe Bridge
0:54
General Tab
1:52
The Panels
3:50
The Panels
3:51
The Tools Bar
6:35
Navigation Tool
6:43
Favorites
7:20
Recent Files
7:33
Boomerang
7:48
Get Photos from Camera & Refines
8:17
Open in Camera Raw & Output
9:28
Thumbnail Qualities
9:56
Sorting Files
10:50
Workspace Layout
11:09
Filmstrip
11:32
Metadata
12:05
Output
12:15
Menu Bar
13:20
Menu Bar
13:21
Content View Controls
13:48
Content View Controls
13:49
Customizing the Workspace
15:25
Customizing the Workspace
15:26
Lesson Summary
17:19
Importing, Sorting, and Rating

22m 22s

Intro
0:00
Lesson Overview
0:09
Preferences
0:32
Accessing Preferences
1:00
Appearance
1:13
Behavior
1:34
Favorite Items
2:00
Metadata
2:28
Menu Bar
3:14
File
3:15
Edit
4:04
View
4:48
Stacks and Label
5:33
Window
7:22
Importing Images
7:39
Getting Images
7:40
Selecting Specific Files
8:35
Save Options
11:17
Advanced Options
12:33
Apply Metadata
13:25
Editing & Rating
14:28
Editing & Rating
14:29
Filtering
20:34
Filtering
20:35
Lesson Summary
21:17
Getting Organized

13m 9s

Intro
0:00
Lesson Overview
0:07
Getting Organized
0:32
Stacks
0:33
Favorites
3:08
Collections
4:48
Keywords & Search by Filtering
7:07
Summary
11:00
Creating PDF's and Web Photo Galleries

8m 49s

Intro
0:00
Lesson Overview
0:05
Creating PDF's
0:32
Getting Started
0:33
Output & Document
0:57
Layout & Overlays
2:28
Header
3:22
Web Photo Galleries
5:10
Getting Started
5:11
Output & Appearance
5:30
Create Gallery: Upload Location & Saving
7:05
Adobe Bridge Summary

11m 18s

Intro
0:00
Lesson Overview
0:15
Summary of Principal Features in Adobe Bridge
0:27
The Bridge Workspace is Customizable
0:28
Downloading Images From a Camera Directly to Bridge
1:55
Sorting, Labeling, and Rating Images
3:01
Filter Panel
4:20
Favorites Panel
5:21
Navigation
7:51
Keywords and Metadata
8:19
Creating PDF's and Web Photo Galleries
10:17
Section 4: Camera RAW
Camera RAW

11m 44s

Intro
0:00
Lesson Overview
0:43
What is RAW & Camera RAW?
1:02
JPEG
1:03
RAW
3:30
Camera RAW
4:17
Camera RAW
5:20
Choosing Your Files
5:21
Camera RAW Workspace
6:07
JPEG vs. RAW
7:08
Camera RAW, Part 2

22m 40s

Intro
0:00
Lesson Overview
0:19
Why Use Camera RAW?
0:35
Why Use Camera RAW?
0:36
Why Bother With Photoshop?
1:16
Why Bother With Camera RAW?
2:03
A Quick Look at The Tool Bar and Tools
2:52
Getting Started in Camera RAW
2:53
Save Image, Open Image, and Done
3:50
A Quick Look at The Tool Bar and Tools
5:06
Basic Panel
8:18
Temperature Slider & Tint
8:19
Exposure
9:54
Highlights & Contrast
10:23
Whites and Blacks
11:14
Clarity
11:21
Vibrant and Saturation
12:13
Lens Corrections
13:25
Enable Lens Profile Corrections
13:56
Color Tab
15:34
Split Toning
18:10
Split Toning
18:11
Noise Reduction
18:39
Detail Panel
19:59
Noise Reduction
20:23
Tone Curve
21:36
Tone Curve
21:45
Section 5: Photoshop Basics
Categories

11m 28s

Intro
0:00
Lesson Overview
0:06
The Four Basic Categories in Photoshop
2:10
The Four Basic Categories in Photoshop Overview
2:36
Selection
3:01
Correction
4:14
Retouch
4:47
Manipulation
5:31
Some Important Tools and Valuable Shortcuts
6:23
Hand Tool
6:30
Move Tool
7:21
Zoom Tool 1
7:56
Zoom Tool 2
8:39
Zoom Tool 3
9:13
Quick Mask
9:38
Gradient Tool
10:58
File Formats

9m 37s

Intro
0:00
Lesson Overview
0:07
The Primary File Formats in Photoshop
0:41
PSD
1:10
TIFF
3:09
JPEG
4:20
PNG
5:55
GIF
6:22
PDF
7:01
DNG
7:37
Image Size, Canvas Size, & Resolution

20m 54s

Intro
0:00
Lesson Overview
0:06
Image Size & Resolution
0:49
Pixel Dimensions & Document Size
1:31
Canvas Size
13:48
Canvas Size
13:49
Saving Your Images

17m 18s

Intro
0:00
Lesson Overview
0:06
Saving Your Images
0:27
Save & Save As
0:28
Save in Background and Auto Save
6:04
Save for Web
8:27
Cropping & Straightening

13m 59s

Intro
0:00
Lesson Overview
0:07
Correcting for Lens Distortion and Camera Vignetting
0:50
Correcting for Lens Distortion and Camera Vignetting
0:51
Straightening Horizons
4:06
Straightening Horizons
4:07
The New Interface & Cropping
6:20
The New Interface & Cropping
6:21
Perspective Cropping
10:10
Perspective Cropping
10:11
Brushes

28m 3s

Intro
0:00
Lesson Overview
0:08
Basic Brushes
2:17
Introduction to Basic Brushes
2:18
Brush Control Panel
3:47
Brush Control Panel: Mode
4:19
Brush Control Panel: Opacity
5:04
Brush Control Panel: Pressure
5:11
Brush Control Panel: Flow
6:44
Brush Control Panel: Airbrush Control
7:46
Brush Sizing Shortcuts
8:54
Adjusting Brush Size and Hardness Shortcuts
8:55
Bush Controls
11:54
Brush Controls
11:55
Types of Brushes
16:25
Bristle Brushes
16:26
Erodible Tip Brushes
17:54
Air Brushes
19:18
Mixer Brushes
22:25
How to Make a Custom Basic Brush
25:02
Sharpening Methods

18m 3s

Intro
0:00
Lesson Overview
0:07
Sharpening Terms
1:58
Amount
2:11
Radius
3:06
Threshold
3:44
Sharpening Methods
4:29
Sharpen
4:30
Sharpen More
5:42
Sharpened Edges
6:53
Smart Sharpen
9:04
Unsharp Mask
11:08
High Pass Sharpening
12:48
Exposure & Color, Part 1

18m 43s

Intro
0:00
Lesson Overview
0:06
Exposure and Color Overview
0:29
The Mantra & The Controls
0:30
Auto Exposure & Color Controls
0:59
Manual Exposure Controls
1:46
Color Controls
2:21
Adjustment Demonstration 1
3:20
Curves & Auto Color Correction Options
4:37
Brightness/Contrast
7:47
Levels
8:36
More On Curves
10:15
Adjustment Demonstration 2
13:26
Using Curves
14:02
Adjustment Demonstration 3
16:10
Using Curves
16:18
Lesson Summary
18:12
Exposure & Color, Part 2

26m

Intro
0:00
Lesson Overview
0:07
Demonstration 1: More on Curves and Levels
2:19
Levels
2:52
Curves
5:54
Demonstration 2: More on Curves and Level
8:11
Curves
8:12
Demonstration 3: Shadows & Highlights
11:09
Overview
11:10
Shadow and Highlights
12:16
Demonstration 4: Hue/Saturation and Vibrance
15:46
Hue/ Saturation
15:47
Vibrance
20:06
Demonstration 5: Color Balance
22:52
Color Balance
24:09
Exposure & Color, Part 3

21m 4s

Intro
0:00
Lesson Overview
0:07
Demonstration 1: Exposure and Color Correction
2:20
Images Overview
2:23
Correction In Camera RAW
4:59
Correction Using Color Balance
8:43
Demonstration 2: Exposure and Color Correction
13:40
Correction Overview
13:41
Shadow/Highlights
15:04
Curves
16:38
Vibrance
17:21
Hue/Saturation
17:49
Back to Curves
19:19
Images Comparison
19:38
Gradients

24m 5s

Intro
0:00
Lesson Overview
0:07
The Paint Bucket & Gradient Tool
0:37
The Paint Bucket Tool
0:38
The Gradient Tool
3:20
The Gradient Editor
10:07
The Gradient Editor
10:08
The Gradient Map Feature
16:26
The Gradient Map Feature
16:27
The Gradient Mask
20:55
The Gradient Mask
20:56
Lesson Summary
23:13
The Transform Tools

20m 5s

Intro
0:00
Lesson Overview
0:07
Transform Tools: Overview
0:21
Introduction to the Transform Tools
0:22
Scale
2:16
Skew
3:57
Distort
4:34
Perspective
5:00
Warp
5:38
Scale & Skew
6:45
Scale & Skew Demonstration
6:46
Distort
8:39
Distort Demonstration
8:40
Perspective
12:38
Perspective Demonstration
12:39
Warp Demonstration
13:35
Adaptive Wide Angle
14:28
Puppet Warp
15:46
Puppet Warp Demonstration
15:47
Actions

16m 17s

Intro
0:00
Lesson Overview
0:06
The Actions Panel
1:30
The Actions Panel
1:31
Preset Actions
3:11
Wood Frame
3:12
Sepia Toning
4:34
Molten Lead
4:43
Gradient Map
5:13
Creating An Action
6:05
Creating An Action Demonstration 1
6:06
Creating An Action Demonstration 2
8:33
The Batch Command
12:30
The Batch Command
12:31
Lesson Summary
15:22
Section 6: Selections
Introduction to Selections

24m 41s

Intro
0:00
Lesson Overview
0:07
Introduction to Selections
1:28
Apps and Plug-ins for Photo Correction
1:29
Introduction to Selections
5:26
The Principal Selection Tools: Marquee
7:39
The Principal Selection Tools: Lasso
8:15
The Principal Selection Tools: Quick Selection and Magic Wand
8:42
The Principal Selection Tools: The Pen Tool
9:09
The Principal Selection Tools: Quick Masks & Layer Masks
9:33
Panels: Refine Edge
12:04
Panels: Mask Panel
12:50
Panels: Channels
13:07
Panels: Paths
13:25
Functions: Feather
13:36
Functions: Calculation
14:19
Selections Demonstration 1: Scenery
15:08
Selections Demonstration 2: Car
20:04
Selections Demonstration 3: People
22:51
Lesson Summary
24:06
Selection, Part 1

19m 32s

Intro
0:00
Lesson Overview
0:07
Marquee Tool
2:44
Marquee Tool (Rectangular and Oval)
2:45
Lasso Tool
7:07
Lasso Tool (Freehand and Polygonal)
7:08
Quick Selection Tool
10:28
Quick Selection Tool
10:29
Magic Wand Tool
11:38
The Magic Wand Tool
11:39
Demonstration 1: Scenery
13:44
Demonstration 2: Flower
15:10
Quick Mask
16:12
Brief Look At The Magnetic Lasso Tool
17:50
Lesson Summary
18:56
Selection, Part 2

31m 29s

Intro
0:00
Lesson Overview
0:07
Basic Selection Shortcuts
1:24
Basic Selection Shortcuts
1:25
Demonstration 1
4:50
Magic Wand Tool
6:10
The Quick Selection Tool
6:38
The Polygonal Lasso Tool
7:26
Saving and Loading Selection
11:25
Free Hand Lasso Tool Correction
12:54
Painting in Quick Mask to Adjust a Selection
15:49
Image Adjustments
17:45
Demonstration 2
20:50
Painting in Quick Mask & Adjusting the Image
20:51
Lesson Summary
30:46
Feather

13m 24s

Intro
0:00
Lesson Overview
0:07
What is Feather?
0:53
Demonstration 1: Fixing the Water
1:26
Demonstration 2: Feather Sample
4:32
Demonstration 3: Fixing the Cove
6:42
Refining Selection Edges

31m 28s

Intro
0:00
Lesson Overview
0:07
Demonstration 1: Scenery
1:42
Recapping The Use of Feather
1:43
Refine Edge
4:30
Demonstration 2: Flower
10:00
Selection of The Flower
10:01
Preparing The Selection for Cutting Out an Image for Composition
14:01
Demonstration 3: Scenery
19:02
Selection: Grow and Similar
19:03
Edge Detection and Refine Radius Tool
22:21
Lesson Summary
29:52
Pen Tool, Part 1

25m 33s

Intro
0:00
Lesson Overview
0:06
The Pen Tool
2:11
Free Form Pen Tool
2:24
Convert Point Tool
5:10
Pen Tool: Shape & Path
7:13
Making Selection With The Pen Tool
8:05
Demonstration 1: Car
18:22
Using The Pen Tool to Make Selection Around a Car
18:23
Pen Tool Summary
22:46
Practice Assignment
23:26
Pen Tool, Part 2

26m 8s

Intro
0:00
Lesson Overview
0:08
The Pen Tool Recap
0:27
The Pen Tool - Part 2: Working With Points On A Path
2:11
Adjusting a Point For a Sharp Corner
2:51
Activate and Non-Active Points
5:01
Activating a Point(s) & Moving a Point
5:55
Deleting Single and Multiple Points
8:43
Demonstration 1: Automobile
10:17
Adding a Point
11:35
More On Deleting Single and Multiple Points
14:45
How Far Apart to Place Points to Make a Path
16:08
Saving a Path
21:35
Filling or Stroking a Path
23:02
Lesson Summary
25:48
Alpha Channels & Calculations

20m 7s

Intro
0:00
Lesson Overview
0:06
Demonstration 1: Scenery
1:43
Alpha Channels: What Are They & How to Use Them
1:44
Demonstration 2: Car
8:05
Working With Alpha Channels
8:06
Introduction to Calculations
13:15
Demonstration 3: People
14:54
More On Alpha Channels & Calculations
14:55
Lesson Summary
19:35
Section 7: Layers, Layer Masks, & Composites
Layers & Adjustment Layers

22m 10s

Intro
0:00
Lesson Overview
0:07
Layers Basics & The Layer Panel
1:46
Layers Basics & The Layer Panel
1:47
Organize Layers
10:16
Layer Style
12:06
Add Layer Mask
12:27
Adjustment Layers
13:32
Adjustment Layers - Why & How
16:46
Example: Using Adjustment Layers
16:47
Lesson Summary
21:34
Layers & Adjustment Layers, Part 2

21m 24s

Intro
0:00
Lesson Overview
0:06
Unlocking The Background Layer & Linking Layers
0:30
Unlocking The Background Layer
0:31
Linking Layers
3:36
Adjustment Layers & Layer Masks
7:15
Adjustment Layers & Layer Masks
7:16
Masks vs. Alpha Channels
17:18
Mask vs. Alpha Channels
17:19
Layers & Masks Examples

16m 29s

Intro
0:00
Lesson Overview
0:07
Layers, Masks & Adjustments
1:04
Making The Selection, Layers, and Mask
1:05
Adjustments: Cove & Ocean
6:42
Adjustments: Sky
12:06
Adjustments: Land
13:44
Layer Composites, Part 1

26m 4s

Intro
0:00
Lesson Overview
0:07
Seeing Digitally & Selecting Your Composite Elements
1:24
Seeing Digitally
1:25
Selecting Your Composite Elements: Size, Lighting, Perspective, and Color Match
3:57
Creating a Composite
10:10
Creating a Flawless Element Edge
10:11
Moving a Layer From One File to Another
18:15
Changing the Color
23:39
Lesson Summary
24:45
Composites Part 2

24m 6s

Intro
0:00
Lesson Overview
0:06
Creating The Composite
2:21
Images Overview
2:22
Sharpening The Image
5:08
Moving & Placing Layers
6:45
Retouching The Wall
9:28
Retouching The Wall Under The Flowers
12:24
Adding Shadow With The Burn Tool
14:58
Adding The Lawnmower
17:24
Lesson Summary
23:38
Section 8: Retouching
Basic Retouching: Tools & Techniques

28m 56s

Intro
0:00
Lesson Overview
0:07
The Basic Retouching Tools and How to Properly Use Them: Demonstration 1
2:39
Image Overview
2:40
Rubber Stamp Tool
4:04
Spot Healing Brush Tool
15:18
The Basic Retouching Tools and How to Properly Use Them: Demonstration 2
19:36
Healing Brush, Spot Healing Brush, and Rubber Stamp
19:37
Patch Tool
24:30
Lesson Summary
27:34
Content Aware Functions

23m 10s

Intro
0:00
Lesson Overview
0:07
Content Aware Fill
1:39
Using the Content Aware Fill
1:40
Content Aware Move
8:10
Using the Content Aware Move
8:11
Content Aware Scale
11:30
Content Aware Scale: Demonstration 1
11:31
Content Aware Scale: Demonstration 2
15:06
Content Aware Extend
17:30
Content Aware Extend: Demonstration 1
17:31
Content Aware Extend: Demonstration 2
20:05
Lesson Summary
21:34
Retouching People: Part 1

21m 33s

Intro
0:00
Lesson Overview
0:07
Retouching People: Part 1
1:36
Retouching The Skin
1:37
Retouching Around The Eyes
6:01
Retouching The Eyes
12:06
Body Contouring: Chest
17:33
More On Retouching The Skin
20:12
Retouching People: Part 2

24m 25s

Intro
0:00
Lesson Overview
0:07
Retouching People: Part 2
1:29
Retouching The Lips
2:30
Retouching The Teeth
8:55
More On Retouching The Lips
11:43
Body Contouring: Face
13:40
Advanced Techniques For Retouching Skin
17:33
Retouching People: Part 3

20m 28s

Intro
0:00
Lesson Overview
0:09
Advanced Techniques For Retouching Portraits
0:59
Advanced Techniques For Retouching Portraits: Part 1
1:00
Advanced Techniques For Retouching Portraits: Part 2
8:14
Retouching Hair
14:02
Retouching Hair: Part 1
14:03
Retouching Hair: Part 2
15:55
Section 9: Filters and Blends
Basic Filters & Blend Modes

18m 26s

Intro
0:00
Lesson Overview
0:06
Basic Filters
0:36
Basic Filters Overview
0:37
Filter Gallery
1:48
Filter Gallery: Plastic Wrap
3:11
Filter Gallery: Texturizer
4:17
Blend Modes
5:40
Blend Modes Overview
5:41
Dissolve
6:06
Darken & Darken Color
6:55
Lighten
7:26
Hue, Saturation, Color and Luminosity
8:12
Demonstration 1: Lighting Effects Filter
8:41
Preparing The Image
8:42
Adding Lens Flare
9:31
Filter: Render Lighting Effects
9:51
Adding Another Lighting Effects Filter
11:38
Adding Lighting Effects Filter To The Background
13:13
Demonstration 2: More On Filters & Blend Modes
14:40
Blend Modes Demonstration
14:41
Oil Paint Filters Demonstration
15:56
Lesson Summary
18:06
Blur Filters

25m 12s

Intro
0:00
Lesson Overview
0:07
Blur & More Blur
0:54
Blur: Average
0:55
Blur
1:46
Blur More
2:41
Gaussian Blur
3:18
Gaussian Blur
3:19
Box, Lens, and Shape Blur
4:42
Box Blur
4:43
Lens Blur
6:38
Shape Blur
7:50
Motion and Radial Blur
8:39
Motion Blur
8:40
Radial Blur
9:05
Smart and Surface Blur
10:04
Smart Blur
10:05
Surface Blur
11:39
The New Blur Gallery
14:05
Tilt/Shift Blur: Demonstration 1
14:33
Tilt/Shift Blur: Demonstration 2
17:26
Field Blur
19:05
Iris Blur
22:16
The Liquify Filter

16m 17s

Intro
0:00
Lesson Overview
0:16
Demonstration 1: Using the Liquify Filter
0:34
Introduction to The Liquify Filter
0:35
The Liquify Filter Workspace and Tools Overview
1:50
The Push Tool
3:38
The Pucker Tool
3:48
The Bloat Tool
4:02
Adjusting the Face
4:15
Adjusting the Eyes
6:32
Adjusting the Body
9:24
Demonstration 2: Using the Liquify Filter
11:41
Adjusting the Image
11:42
Using The Mask Tools in the Liquify Filter
13:12
Vanishing Point Filter

18m 45s

Intro
0:00
Lesson Overview
0:07
Retouching In Perspective
0:28
Vanishing Point Filter
0:29
3D Compositing
6:44
Step 1: 3D Compositing Overview
6:45
Step 2: Creating a Plane With The Vanishing Point Filter
9:35
Step 3: Pasting and Editing The Image
11:26
Step 4: Blend Mode
15:19
Section 10: Text
Using Text In Photoshop

31m 49s

Intro
0:00
Lesson Overview
0:07
Using Text In Photoshop
2:50
Type Tools Overview
2:51
Vertical Type Tool Demonstration
3:31
Character and Paragraph Type Panels
3:51
Linear Text
4:37
Font, Font Style, and Font Size
8:09
Leading
10:40
Tracking
11:59
Kerning
12:35
Letter Height & Width Distortion
15:45
Text Color
16:31
Character Adjustments
17:22
Paragraph Text
19:07
Alignment & Justification
19:11
Indent
23:08
Add Space
23:35
Put Type In Photograph
24:20
Put Type In Photograph
24:21
Guides and Grids
26:26
Guides and Grids
26:27
Manipulating Text

13m 58s

Intro
0:00
Lesson Overview
0:06
Manipulating Text
0:36
Warping Text
0:37
Rasterize & Free Transform
3:26
Clipping Paths
5:40
Type Effects: Bevel & Emboss
7:53
Type Effects: Drop Shadow
10:06
Type Effects: Pattern Overlay
11:17
Type Effects: Stroke
12:47
Lesson Summary
12:58
More Text Effects

16m 31s

Intro
0:00
Lesson Overview
0:07
Type On A Path
0:36
Creating A Path
0:37
Texts On A Path & How To Modify Them
1:48
Chrome Type
6:58
Step 1: Getting Started
6:59
Step 2: Rasterizing & Gradient
9:20
Step 3: Bevel & Emboss
10:45
Step 4: Merge Layer
11:10
Step 5: Curves Adjustment Layer
11:54
Step 6: Adding Color
13:54
Chrome Type Summary
14:43
Lesson Summary
15:56
Section 11: Cool Features
Colorize and Black & White Conversion

13m 16s

Intro
0:00
Lesson Overview
0:07
Demonstration 1: Colorize
0:32
Colorize
7:30
Demonstration 2: Black & White Conversion
7:40
Black & White Conversion Using Hue/Saturation
7:41
Black & White Conversion Using Grayscale
8:51
Black & White Conversion Using Black & White Adjustment
9:30
Demonstration 3: Black & White Conversion
11:25
Black & White Adjustment
11:26
Panorama

22m 6s

Intro
0:00
Lesson Overview
0:07
Shooting For The Panorama
0:50
Hold The Camera Steady
0:51
Overlap Your Images
1:36
Use The Same Exposure
2:02
Use The Same Zoom
2:44
Apply The Same Correction to Each Image
3:03
Scenic
3:25
Correct Way To Shoot a Panorama
3:26
Creating A Panorama In Photoshop
5:42
Adjusting The Images
6:22
Lining Up The Images
8:21
Photomerge Overview
10:02
Photomerge: Auto
12:34
Photomerge: Auto & Geometric Distortion Correction
15:36
Photomerge: Spherical
17:10
Photomerge: Collage
18:18
Photomerge: Reposition
19:20
Panorama Images Conclusion
20:10
HDR

20m 32s

Intro
0:00
Lesson Overview
0:07
High Dynamic Range (HDR) Overview
0:21
HDR Overview
0:22
How To Shoot HDR
2:49
How To Shoot HDR
2:50
Processing HDR in Photoshop
7:09
Merge Files to HDR Pro
7:10
Exposure Value (EV)
9:21
Looking at The Image
10:08
Mode: 8 bit, 16 bit, and 32 bit
11:49
Highlight Compression, Exposure and Gamma, Local Adaptation, and Equalize Histogram
13:00
Preset: Photorealistic
13:46
Preset: Scott5
14:25
Custom Preset: Edge Glow
15:25
Custom Preset: Tone and Detail
17:02
Custom Preset: Advanced & Curve
17:48
Final Result
18:41
Photo Frame Effect

21m 27s

Intro
0:00
Lesson Overview
0:08
Preparing Your Image
0:44
Gradient Overlay & Blend Mode
0:45
Layer Mask & Curves Adjustment
6:35
Merging Effects
13:07
Creating The 3D Frame
17:00
Step 1: Canvas Size
17:01
Step 2: Inner Shadow
18:08
Step 3: Sign The Image
19:49
Lesson Summary
20:49
Creating & Editing Video

26m 19s

Intro
0:00
Lesson Overview
0:07
The Video Workspace Overview
1:44
The Video Workspace Overview
1:45
Creating & Editing Video Demonstration
6:46
Importing Media
6:47
Organizing & Editing Your Clips
7:48
Adding Transitions
14:54
Using Adjustment Layers to Modify Clips
16:57
Adding Still Images
19:10
Adding a Soundtrack
20:28
Rendering Your Video
21:23
Lesson Summary
22:14
Final Edited Video
24:37
Section 12: Course Summary
Course Summary

6m 38s

Intro
0:00
Photoshop Course Summary
0:11
Photoshop Course Summary
0:12
Image Adjustments Review
2:11
Custom Shapes Review
5:19
Final Tip
6:03
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Retouching People: Part 2

  • Retouching People: There are many ways to do this, and many custom techniques. The key in all cases is not to overdo it.
  • Make sure that you are working on a duplicate layer in case you mess it up and need to go back a long ways.
  • Work gradually - the one thing to avoid is to try and go too far. If you take too much age away, or alter parts too much, you will ruin the original integrity of the photo.
  • PRACTICE - it takes a lot of practice to learn to very subtly and flawlessly alter portraits. The techniques are not hard, but learning to subtly build and match takes time. Be patient, and practice!
  • That said, once you prefect the techniques, you will be able to do wonderful things to people.

Retouching People: Part 2

Lecture Slides are screen-captured images of important points in the lecture. Students can download and print out these lecture slide images to do practice problems as well as take notes while watching the lecture.

  • Intro 0:00
  • Lesson Overview 0:07
  • Retouching People: Part 2 1:29
    • Retouching The Lips
    • Retouching The Teeth
    • More On Retouching The Lips
    • Body Contouring: Face
    • Advanced Techniques For Retouching Skin

Transcription: Retouching People: Part 2

Hi guys, Mike Brown here with you again, welcome back to educator.com's Adobe Photoshop CS6 course.0000

In the last lesson, we--in the last two lessons actually--we've been talking about the retouching tools and retouching but predominantly in the last lesson, we closed out dealing with retouching people, and I showed you how to work under eyes, clean up under the eyes using the Patch tools and the Spot Healing tool to clean out blemishes.0007

Both of these tools working on skin, also an alternative way; by using the Clone Stamp tool at a lower opacity to gradually take away blemishes.0033

In this lesson, we're going to expand a little more on retouching people because it's a very important thing--most people take pictures of people--I think that's probably more than 50% of photos that are taken in the world, so let's delve a little further into it.0045

In this lesson, I'm going to show you some advanced techniques for retouching skin, I'm going to deal more on fixing eyes, teeth and lips.0064

Another method which happens to be my way of retouching hair, there are a lot of ways to do this--I'll just show you my way of helping with hair, and we're going to do a little more body contouring like we did the last time just to fix up shapes and parts of an image.0071

OK, let's go back to Debbie again, and if you remember...say hi to Debbie, she's being a really nice gal and no pain involved in all of this plastic surgery.0089

We started with her hair, if you remember, and we fixed up her eyes; the color in her eyes, also the imperfections around here, we worked on taking out all of the little spots and such and we thinned down her neck somewhat, cleaned all that up.0104

We've got the neck clean now, we've got the eyes; off, on, nice clean eyes, she looks pretty good but we can go further with this, and I stress, Michael Brown's methodology here is to always maintain the integrity of the image.0121

She wanted to knock 10 years off, we're going to knock maybe 12, but we're not going to make her look 22 because it'd look just a little bit weird.0138

So OK, let's get started.0147

The first thing I want to deal with are the lips; we're going to come way up on the lips, let's take a close look, we're on this copy, this one is the same so we're going to work on the upper one so we can always go back to the one below it...0151

The reason these are up here, this is one that I have done everything to before, everything that we're doing right now is there, I'm starting from here and working my way upward and repeating it, so this for our purposes is the background, OK?0168

So let's go and point this out--I want you to look at the screen, and look at her lips, and I hope you can see this--I'm going to come up even a little bit more.0185

The lip line should be nice and smooth--should follow the tip of my cursor, but you notice there's excess either lipstick or just the lips are a little bit weird in the shape; they should be nice and contoured like that--there's excess.0194

And on this side we have the same thing and I do think it's actually her lips, are a little bit too broad in this area on the bottom side, so we're going to fix that, we're going to do two things.0209

First we'll start with the Rubber Stamp tool, smaller brush (left bracket key down) we're going to clone it about 30%, maybe 40% let's go, Option or Alt, and I'm not going to click right below where I want to do it--I'm going to click off to the side so I can--notice right in this area it's darker than it is down here.0222

So I don't want to clone from here and get a bright line, but we can always darken it, here we go.0244

Option, click, and we're going to paint gently over there--notice we just clean along that line, see how well that worked?0249

Just about three strokes, four strokes at 40%--I'm going to come up to the top, do it right here and move my way up a little bit...nice and smooth--looks good, Option or Alt again to resource--remember the resourcing?0256

I'm going to take a lighter color here just to blend it up in, just a little...there we go.0271

Now if we go back, and I turn that off, see how much we fixed?0278

Look in this area right here, zoom it up one more time so it's large enough on your screens right there, off, that's where we are, that's fixed, and non-fixed, so we cleaned up that side, see how much nicer that looks?0283

And now you can really see that the other side is down, so we're going to come back up, Clone tool, 40%, everything's looking good, Option, click, and we're just going to start to just gradually pull it as we paint down and away--there we go.0296

Take another source here, clean it...another one right there, blend it, zoom it out one, let's take a look, that's where we were--we got it cleaned in that area, take it off, but I still think (if you look at her lips) that this area right in here, to me is a little droopy.0316

So we're going to fix that right now, very easy.0340

Let's go to our Marquee tool, we're still on the same layer, and we're going to use that Liquify filter again.0343

I cannot stress however, when we use the Liquify filter, be very careful--don't do real drastic changes, it's for fine tuning because every time you push those pixels, you smear them, you are altering them, degrading the image slightly if you will, so be very, very careful with it.0352

Let's go Filter, Liquify, and also the reason that I select an area rather than the entire image and going to work on the area is that the computer could handle it, but if it's only this large an area it's much faster, and speed helps.0374

Let's zoom it up some, we're going to use that Push tool, brush size--left bracket down to a reasonable size--a little bit large--you always want to go to the large size...let's go right there and let's just gently push that up just a little, very carefully...0390

And I want to take the center of her lip and pull it down slightly, and then over here where it is a little far notice I'm just gently pushing that up...that looks pretty good--looks like we could do this side, just a hair more.0411

You notice I'm not moving a lot, because I don't want to kill the integrity of the pixels--one little spot right there, that looks pretty good, let's click OK, and do Command+Z--there's the lip, notice how nice and smooth it looks now?0429

Look, we went from there where it looked a little droopy, to there...one time more; went from there, to there--the lips look really, really good.0447

Let's de-select that, now one other thing I can do here--we'll do this as we move down the line.0457

Alright...oh, I want to do that again, I forgot to do one other part--Filter, Liquify filter, and I forgot to do the top where it looks a little thin; I'm going to push her lips upwards just a hair, plump them, a quick little Botox filler that doesn't hurt, and we'll be permanent as long as you're just working with this picture...0463

That looks pretty decent as far as I can see it, let's click OK, Command+Z, Command+Z, looks just fine--I see, I want to do a little more, I got it, I found what I made a mistake on.0491

Notice down here the lips are a little curved upwards, so what we'll do is we'll push the bottoms down a little bit right there where it folds up, then we'll go up to the top and plump it, a little up and a little down...that should do it.0506

Down, up, there we go...just a little gentle hit, OK, we got that.0528

Now, the teeth; the teeth she's got just slightly overlapping front teeth--I'd like to trim those back, I think I can do that with the Liquify filter--let's give it a try.0535

Take the Marquee tool again, Filter and Liquify, and let's see what happens if we just push them up...this may or may not work...oh, that worked great!0549

That helped some, but it's not complete.0571

What I'd like to do is take that shadowing away, so what we're going to do, is we're going to take our Clone tool again, at 20%, maybe even 15% (1 5 real quickly) and I'm going to take this color over here, and just--I'm going to even a lighter color.0574

Smaller brush, source it down here, and just--let's see if we can lighten that lip up there--ah, there it's coming, that's better.0598

And make a little larger brush, take 10%, I'm just going to knock down the highlight just a hair...see it's coming down just a little bit--soften it...there we go, and I'm going to go in with the Dodge tool which brightens things up, take a nice, small brush.0608

I'm going to just brighten that up so that we don't get the shadow from the overlapping tooth, mid-tones, let's go 15%, and let's see what happens when we open that up just a little bit...there we go...0628

I can even do this; let's take that Clone tool again, and let's move that highlight up just a little bit, source it in here, then paint the highlight right up into--there we go, see?0647

I tell you I think if I just take that highlight probably away--let's go 30%, and let's just knock out some of that highlight...take the Spot Healing Brush and a small one and clean up these little unsightly spots, just move it down just a hair, a little spot in the corner, a little spot in the corner...0662

Take those away, the spots on the lip...smooth that down...spot up on the upper side, just smooth out her lips just a hair, alright?0682

There we go, let's take a look at that.0695

There's where we were with the lips, there's where we are right now--one other thing I can do very quickly, we'll take the Lasso tool with two, let's go three, make it a little softer.0699

I'm just going to go around the lip...I'm doing this roughly--I'd be a little more accurate if I was doing this as a big job--I see something to her teeth on the outside--they're a little bit weird.0712

Shift because I missed the bottom edge of the lip, add a little bit, there we go.0728

We'll take a non-destructive curves layer...make them a little brighter--whoops, what happened here?0734

Let's go to the History panel...I made the Lasso--oh, I see what I did, accidentally made a mistake, so what we're going to do is first we'll do the curves again, now we have the lips.0743

Yes, snap the contrast a little bit, make them a little darker, that ups the color just slightly--there we go!0759

I like that.0767

OK, now let's take a look, we went from there on the lips...to right there, notice how much better--now they're a little bit flat, we'll fix that in a couple of minutes.0769

OK...that looks just a little bit bright, let's bring it down just a hair...oh, that's better...much better.0784

Notice, what it did is it--oh, I like her with the darker color, yes, it was just too bright, that looks much better.0797

OK, so now we've got the lips and teeth fixed, all with the Spot Healing tool, the Clone tool and we used the Liquify filter as well.0803

OK, now, what I want to do is another thing, again, body contouring--we're going to use that Liquify filter again.0819

Notice, we'll look at the facial structure on this lady; she got a little indentation here from age up on the chin where it's coming up a little bit and a little jowly, I like to smooth that down--I'm sure she looked a little different 10/15 years ago, so we're going to take that Marquee tool again.0829

Across we go right here, I want to make sure I'm on the correct layer, this is the one we're working on isn't it?0847

Yes, that's the lips.0854

Alright, so now we'll go back to our magical filter; Liquify, here we go.0856

The Push tool, make a larger brush and I want to smooth this line down a little bit, move it inward just a little.0862

Now you don't want to--again, this is not for a really heavy duty stuff, you don't want to do a lot because you smear it.0870

Take this reverse curve here, and push it out just a little bit...double small we'll fix that little spot right there, that looks pretty good.0880

We'll go and try to balance up the other side, so that we get the same amount, and come outward a little bit, how's that looking right there?0891

That looks pretty good, let's click OK, and now let's do Command+Z--watch in the side of the cheekbones--see it from there?0903

Same woman, just knock those jowls back a little bit, took some definite little mini facelift, if you will.0911

OK, so we've now gone from there, to there...lips looks good, the jawbone looks good, everything else looks good, now we're going to do the big trick.0920

We're going to take, and we're going to get rid of all of these imperfections--we'll tone them down--all the little age spots and other imperfections--oh I see one thing I want to do before we do that.0932

Clone tool, at about 20%, larger brush, notice with age the smile lines get sunken more just like the eyes do?0944

So what we're going to do is reduce those slightly, 20%, then we're going to paint the opacity gently.0954

I'm going to source above it through this area here and this area here, and just gradually knock them, watch this; Option or Alt, source, and then go down and just gently paint away.0961

We're going to paint just a little bit more in this area right--oh look at that, knocked it down really nicely.0973

Let me go backwards; we went from there...look right in that area, went from there to there, softened them down, just took a little age off.0979

Same thing on the other side; Option or Alt click, just gently, don't want to overdo it.0989

Now this area right down at the chin here--I might as well fix that right now, it's a little dark, so Option or Alt click, and a similar area--just come down and paint that a little bit.0995

You can do just a little more like doing that--there we go, fixed that one up--now this line over here, again, 20% on the Clone tool, Option or Alt click, and just a couple of hits, you don't have to hit it real hard and you don't want to take it all away.1006

Let's take these lines right here and soften them just a little...see?1024

Just gently, OK?1030

There we go, let's just take one more, right on this spot right--there we go, nice and smooth, that looks good.1033

So now...we've gone from there...look all in this lower area of the face, down to there, looking much better, off, on.1038

Now the final touch, here we go.1051

We're going to make a mask for a selection of just the skin.1054

I have taken the Quick Mask, I'll double click it, and I've modified it--instead of painting the masked area, we're going to paint the selection area in red.1060

Brush, get a large size of the brush, make sure we're here, and just paint all of the skin area (make sure I get it) and it can roll over into the hair a little bit.1070

I'm going to make the outline come down the neck, come down the neck over here.1082

Now, normally I would use the Pen tool or a good selection tool to cleanly get the edge of the blouse, but time constraints here, we're just going to do the best we can and short order...paint it up...and paint it around...1088

There we go, we'll fill that in...very quickly...up the brush size, we'll go ahead and paint it...OK.1111

We're going to now turn it back to a selection--Select, Save Selection, save it as an alpha channel, go to our alpha channels, Channels panel, take a look at it, and we see where we need to paint white, flip the background color, so that's white with the paintbrush, and fill in the rest of that so it's nice and white.1131

OK, we've got our selection, load it--Command or Control click, RGB, now we're going to be on the selection of her; copy, Command+V paste.1152

Layer came in right above--if you turn it off you see it's just the skin.1165

We're now going to Command or Control click the thumbnail, load that, go to the Filter menu, go to the Blur filter, Gaussian Blur, and the Gaussian Blur we're going to set it at about three, and you notice how much it's blurring things (let's zoom her up so you can see it) Command+H.1169

We're going to blur it just a hair more, there we go (we can even go more if I wanted to--that's way too much) do it about there, about 5.2.1188

Now it's all blurred and you go "why did I do that?"1199

Now what I'm going to do is take just that layer, and add a layer mask.1202

Go to Layer, layer mask, reveal all and there's your white mask.1208

Now what I can do is using my paintbrush on the mask thumbnail, in black, I can paint back in the areas that should be clear.1214

Drop it down--we're going to paint it about 80%, and we'll just start--and we'd do this more accurately obviously if I was doing it otherwise.1228

There's the eye is back, notice, got all the eye nice and clear, get the other eye in (make a smaller brush just for the corners) get the eyelashes in, got that...the eyelashes on that side.1236

We'll now take a smaller brush here and we'll do the eyebrows are back, eyebrows over here...do it at about 40% and pick up a little bit of the nose clarity, see that edging right there?1254

That's good...did I accidentally hit something there?1269

See this area, I didn't want that, I want to paint that white, I can see that it's clear and I didn't want it clear so we'll get that back to where it was, OK.1275

Flip it again, whoops...and now we're going to do the lips, 70%, smaller brush, bring those lips back...we worked really hard to make them look good, now we got the lips coming back nice and clean.1284

Alright, little bit smaller, 80%, let's go get the necklace because we know that that necklace is clear...get that cleared up, I'm doing this very quickly--you can take a little more time.1302

We'll come back up with the necklace...there we go...OK, and let's take a quick look at the mask.1315

Option or Alt, click the layer mask, I need to paint in black to clean up that one and fill it, the other ones look pretty good--Option or Alt click.1324

Now you go "what are you doing?"1334

We've got everything we need except the skin is way too blurry, so what we're going to do is reduce the opacity of this layer.1337

Go up to your opacity slider and just start pulling it back...let's see which is the fixed one--that's the one we want, right there, but we're going to take this--we're down to about 63%.1346

I'm going to pull it back until you see we're starting to see a little--we can probably go up 55%, there we go.1361

Maybe a little less, I don't like it to look phony, there we go--let's turn that layer off...come on up here, you see the skin with all the pores?1371

Notice how that knocks it down?1380

Just softens it enough that it still has the realism, but takes the age away, there we go.1382

So, what we have done in this lesson is; we have gone from...there...to there...by Liquify filter fixing the lips, and up here, and the one final thing I want to do if I can get this in in the time, is I'm going to darken her lips ever so slightly.1390

So what I'm going to do is go to this layer first, we're going to take the Burn tool, and knock it down to about 27%, smaller brush, and just tone that lower part of the lip down, just to add a little contouring--there we go, much better.1418

And there you go--we went from there...to there using the Spot Healing tools, the Dodge and Burn tool--actually we used the Clone tool, and the Liquify filter.1440

We're going to come back in the next lesson and finish up with a couple more tips on skin and retouching people.1455

I'll see you back at the next lesson.1463

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