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Michael Brown

Michael Brown

Pen Tool, Part 1

Slide Duration:

Table of Contents

I. Introduction
Introduction To Photoshop

14m 46s

Intro
0:00
Lesson Overview
0:09
Learning Photoshop
0:51
Key To Learning Photoshop
0:52
Four Categories of Photoshop
1:39
Selections
1:40
Corrections
2:23
Retouching
2:40
Manipulation
3:15
Bridge, Camera RAW, and Photoshop Overview
3:46
Bridge
3:47
Camera RAW
4:26
Photoshop
5:03
Example: Editing an Image
5:30
Working In Bridge
5:36
Working In Camera RAW
7:19
Working In Photoshop
9:15
Shadows & Highlights Adjustment
10:02
Cropping & Canvas Size Adjustment
10:49
Noise Adjustment
12:24
Lesson Summary
14:02
The Importance of Quality

17m 46s

Intro
0:00
Lesson Overview
0:07
The Mantra of Quality
2:07
The Mantra of Quality
2:08
Setting Up Your Camera
3:50
Setting Up Your Camera For JPEG & RAW
3:51
Camera Image Quality and Image Size Screenshots
5:55
Some Tips on Taking Quality Photos
8:28
Fill The Frame & Compose your Shot Tightly In The Monitor
8:53
Example 1: Taking Quality Photos
9:20
Example 2: Taking Quality Photos
10:28
Example 3: Taking Quality Photos
10:53
Check Your Focus
11:46
Be Careful of Camera Shake
13:06
Make Sure That You Get The Best Exposure
14:24
Shoot Multiple Angles and Focal Lengths
15:14
Shoot Several Shots of a Scene If You Can
17:10
Light & Color

15m 27s

Intro
0:00
Lesson Overview
0:06
A Simple Lesson in Light & Color
1:07
What is Light?
1:08
Brightness
1:19
Color
2:26
Transmitted Light vs. Reflected Light
3:01
Transmitted Light is Additive
4:34
Reflected Light is Subtractive
6:23
Why Is This Important In Photoshop?
7:16
Color Spaces
7:48
Visible Spectrum of Color
8:12
ProPhoto RGB
8:42
Adobe RGB
9:58
sRGB
10:40
CMYK
11:34
Set Camera to Adobe RGB and Photoshop Default to Adobe RGB
13:10
RGB vs. CMYK
14:11
White Balance and Monitor Calibration

17m 34s

Intro
0:00
Lesson Overview
0:06
White Balance
0:55
What is White Balance?
0:56
White Balance Preset In Your Camera
1:53
Example: White Balance
3:09
Daylight
4:06
Tungsten
4:36
Shade
5:33
How Does White Balance Apply in Photoshop?
6:56
Camera RAW & Temperature Slider
6:57
Monitor Calibration
8:39
Monitor Calibration
8:40
Calibrating Your Monitor Overview
9:32
A Basic Color Monitor Calibration Method
10:51
A Basic Method for Calibrating to a Printer
13:25
Lesson Summary
17:03
II. Workspace
The Workspace

20m 17s

Intro
0:00
The Work Space
0:15
Application Frame
0:16
The New Interface
2:22
The Tool Bar
4:28
The Options Bar
7:31
The Menu Bar
8:38
The Panels
9:16
Mini Bridge and Video Timeline
11:20
The Document Window
12:39
Arranging Documents
16:15
Customizing Your Workspace
17:33
Lesson Summary
19:27
The Tool Bar & Essential Shortcuts

14m 16s

Intro
0:00
Lesson Overview
0:06
Essential Key Commands in Photoshop
0:43
Photoshop Tools - Defined
1:40
Photoshop CS6 Tools & Tool Shortcut Key
2:14
Photoshop CS6 Tools & Tool Shortcut Key: Overview
2:15
Move Tool
2:51
Hand Tool
3:04
Marquee Tool
3:26
Lasso Tool
3:42
Quick Selection Tool & Magic Wand Tool
4:11
Crop Tool
4:41
Perspective Crop Tool & Slice Tool
7:32
Color Sampler & Eyedropper Tool
8:09
Healing Brush Tool
9:14
Brush/Pencil Tool
9:28
Clone/Pattern Stamp Tool
9:37
History Brush Tool
9:52
Eraser Tool
10:07
Gradient
10:16
Blur/Sharpen/Smudge Tool
10:23
Dodge/Burn/ Sponge Tool
10:31
Pen Tool
10:43
Text Tool
10:50
Path Selection Tool
11:03
Shape Tool
11:09
Hand & Rotate View Tool
11:37
Zoom Tool
11:57
Quick Mask
13:01
Screen Mode
13:17
The Menu Bar

17m

Intro
0:00
Lesson Overview
0:07
File
0:34
New
0:50
Open
1:05
Browse in Bridge and Mini Bridge
1:14
Open as Smart Objects
1:33
Open Recent
1:56
Close, Close All, Close and Go to Bridge…
2:55
Save, Save As, and Save for Web
3:22
Place, Import, Export
4:00
Automate
4:09
Scripts
5:21
Edit
6:18
Undo, Step Forward, and Step Backward
6:19
Cut, Copy, Paste, and Paste Special
6:47
Fill and Stroke
7:10
Content-Award Scale & Puppet Warp
7:17
Free Transform and Transform
7:29
Color Settings & Keyboard Shortcuts
7:50
Image
8:27
Mode
8:30
Adjustments
9:07
Layer
10:08
Layer
10:09
Type
10:31
Type
10:32
Filter
11:24
Filter
11:25
View
12:04
Proof Setup & Colors
12:11
Rulers
12:46
Show Grid & Guides
13:04
Show Pixel Grid
13:58
Window
14:57
Window
14:58
Help
15:27
Help
15:28
Setting Preferences

18m 36s

Intro
0:00
Setting Preferences: General
0:21
Color Picker, HUD Color Picker, and Image Interpolation
0:22
Auto-Update Open Documents, Beep When Done, and Dynamic Color Sliders
1:54
Export Clipboard
2:27
Use Shift Key for Tool Switch
2:40
Resize Image During Place
3:15
Animated Zoom
3:51
Zoom Resizes Windows
4:30
Zoom with Scroll Wheel & Zoom Clicked Point to Center
5:01
Flick Panning
5:33
Vary Round Brush Hardness Based on HUD Vertical Movement
5:49
Place or Drag Raster Images as Smart Objects
6:06
Setting Preferences: Interface
6:33
Appearance
6:44
Options
7:08
Setting Preferences: File Handling
7:44
File Saving Options
7:45
File Compatibility
9:40
Camera Raw Preferences
10:34
Setting Preferences: Performance
12:35
Memory Usage
12:36
History & Cache
13:36
Graphics Processor Settings
14:05
Setting Preferences: Cursors
14:36
Painting Cursors
14:37
Other Cursors & Brush Preview
15:29
Setting Preferences: Transparency & Gamut
15:41
Transparency Settings
15:42
Gamut Warning
15:54
Setting Preferences: Units & Rulers
16:36
Units & Rulers
16:37
Setting Preferences: Guides, Grid & Slices
16:50
Guides, Grid and Slices
16:51
Setting Preferences: Plug-in & Type
17:52
Plug-in & Type
17:53
III. Adobe Bridge
Adobe Bridge Overview

18m 13s

Intro
0:00
Lesson Overview
0:06
The Basic Interface
0:53
Starting Adobe Bridge
0:54
General Tab
1:52
The Panels
3:50
The Panels
3:51
The Tools Bar
6:35
Navigation Tool
6:43
Favorites
7:20
Recent Files
7:33
Boomerang
7:48
Get Photos from Camera & Refines
8:17
Open in Camera Raw & Output
9:28
Thumbnail Qualities
9:56
Sorting Files
10:50
Workspace Layout
11:09
Filmstrip
11:32
Metadata
12:05
Output
12:15
Menu Bar
13:20
Menu Bar
13:21
Content View Controls
13:48
Content View Controls
13:49
Customizing the Workspace
15:25
Customizing the Workspace
15:26
Lesson Summary
17:19
Importing, Sorting, and Rating

22m 22s

Intro
0:00
Lesson Overview
0:09
Preferences
0:32
Accessing Preferences
1:00
Appearance
1:13
Behavior
1:34
Favorite Items
2:00
Metadata
2:28
Menu Bar
3:14
File
3:15
Edit
4:04
View
4:48
Stacks and Label
5:33
Window
7:22
Importing Images
7:39
Getting Images
7:40
Selecting Specific Files
8:35
Save Options
11:17
Advanced Options
12:33
Apply Metadata
13:25
Editing & Rating
14:28
Editing & Rating
14:29
Filtering
20:34
Filtering
20:35
Lesson Summary
21:17
Getting Organized

13m 9s

Intro
0:00
Lesson Overview
0:07
Getting Organized
0:32
Stacks
0:33
Favorites
3:08
Collections
4:48
Keywords & Search by Filtering
7:07
Summary
11:00
Creating PDF's and Web Photo Galleries

8m 49s

Intro
0:00
Lesson Overview
0:05
Creating PDF's
0:32
Getting Started
0:33
Output & Document
0:57
Layout & Overlays
2:28
Header
3:22
Web Photo Galleries
5:10
Getting Started
5:11
Output & Appearance
5:30
Create Gallery: Upload Location & Saving
7:05
Adobe Bridge Summary

11m 18s

Intro
0:00
Lesson Overview
0:15
Summary of Principal Features in Adobe Bridge
0:27
The Bridge Workspace is Customizable
0:28
Downloading Images From a Camera Directly to Bridge
1:55
Sorting, Labeling, and Rating Images
3:01
Filter Panel
4:20
Favorites Panel
5:21
Navigation
7:51
Keywords and Metadata
8:19
Creating PDF's and Web Photo Galleries
10:17
IV. Camera RAW
Camera RAW

11m 44s

Intro
0:00
Lesson Overview
0:43
What is RAW & Camera RAW?
1:02
JPEG
1:03
RAW
3:30
Camera RAW
4:17
Camera RAW
5:20
Choosing Your Files
5:21
Camera RAW Workspace
6:07
JPEG vs. RAW
7:08
Camera RAW, Part 2

22m 40s

Intro
0:00
Lesson Overview
0:19
Why Use Camera RAW?
0:35
Why Use Camera RAW?
0:36
Why Bother With Photoshop?
1:16
Why Bother With Camera RAW?
2:03
A Quick Look at The Tool Bar and Tools
2:52
Getting Started in Camera RAW
2:53
Save Image, Open Image, and Done
3:50
A Quick Look at The Tool Bar and Tools
5:06
Basic Panel
8:18
Temperature Slider & Tint
8:19
Exposure
9:54
Highlights & Contrast
10:23
Whites and Blacks
11:14
Clarity
11:21
Vibrant and Saturation
12:13
Lens Corrections
13:25
Enable Lens Profile Corrections
13:56
Color Tab
15:34
Split Toning
18:10
Split Toning
18:11
Noise Reduction
18:39
Detail Panel
19:59
Noise Reduction
20:23
Tone Curve
21:36
Tone Curve
21:45
V. Photoshop Basics
Categories

11m 28s

Intro
0:00
Lesson Overview
0:06
The Four Basic Categories in Photoshop
2:10
The Four Basic Categories in Photoshop Overview
2:36
Selection
3:01
Correction
4:14
Retouch
4:47
Manipulation
5:31
Some Important Tools and Valuable Shortcuts
6:23
Hand Tool
6:30
Move Tool
7:21
Zoom Tool 1
7:56
Zoom Tool 2
8:39
Zoom Tool 3
9:13
Quick Mask
9:38
Gradient Tool
10:58
File Formats

9m 37s

Intro
0:00
Lesson Overview
0:07
The Primary File Formats in Photoshop
0:41
PSD
1:10
TIFF
3:09
JPEG
4:20
PNG
5:55
GIF
6:22
PDF
7:01
DNG
7:37
Image Size, Canvas Size, & Resolution

20m 54s

Intro
0:00
Lesson Overview
0:06
Image Size & Resolution
0:49
Pixel Dimensions & Document Size
1:31
Canvas Size
13:48
Canvas Size
13:49
Saving Your Images

17m 18s

Intro
0:00
Lesson Overview
0:06
Saving Your Images
0:27
Save & Save As
0:28
Save in Background and Auto Save
6:04
Save for Web
8:27
Cropping & Straightening

13m 59s

Intro
0:00
Lesson Overview
0:07
Correcting for Lens Distortion and Camera Vignetting
0:50
Correcting for Lens Distortion and Camera Vignetting
0:51
Straightening Horizons
4:06
Straightening Horizons
4:07
The New Interface & Cropping
6:20
The New Interface & Cropping
6:21
Perspective Cropping
10:10
Perspective Cropping
10:11
Brushes

28m 3s

Intro
0:00
Lesson Overview
0:08
Basic Brushes
2:17
Introduction to Basic Brushes
2:18
Brush Control Panel
3:47
Brush Control Panel: Mode
4:19
Brush Control Panel: Opacity
5:04
Brush Control Panel: Pressure
5:11
Brush Control Panel: Flow
6:44
Brush Control Panel: Airbrush Control
7:46
Brush Sizing Shortcuts
8:54
Adjusting Brush Size and Hardness Shortcuts
8:55
Bush Controls
11:54
Brush Controls
11:55
Types of Brushes
16:25
Bristle Brushes
16:26
Erodible Tip Brushes
17:54
Air Brushes
19:18
Mixer Brushes
22:25
How to Make a Custom Basic Brush
25:02
Sharpening Methods

18m 3s

Intro
0:00
Lesson Overview
0:07
Sharpening Terms
1:58
Amount
2:11
Radius
3:06
Threshold
3:44
Sharpening Methods
4:29
Sharpen
4:30
Sharpen More
5:42
Sharpened Edges
6:53
Smart Sharpen
9:04
Unsharp Mask
11:08
High Pass Sharpening
12:48
Exposure & Color, Part 1

18m 43s

Intro
0:00
Lesson Overview
0:06
Exposure and Color Overview
0:29
The Mantra & The Controls
0:30
Auto Exposure & Color Controls
0:59
Manual Exposure Controls
1:46
Color Controls
2:21
Adjustment Demonstration 1
3:20
Curves & Auto Color Correction Options
4:37
Brightness/Contrast
7:47
Levels
8:36
More On Curves
10:15
Adjustment Demonstration 2
13:26
Using Curves
14:02
Adjustment Demonstration 3
16:10
Using Curves
16:18
Lesson Summary
18:12
Exposure & Color, Part 2

26m

Intro
0:00
Lesson Overview
0:07
Demonstration 1: More on Curves and Levels
2:19
Levels
2:52
Curves
5:54
Demonstration 2: More on Curves and Level
8:11
Curves
8:12
Demonstration 3: Shadows & Highlights
11:09
Overview
11:10
Shadow and Highlights
12:16
Demonstration 4: Hue/Saturation and Vibrance
15:46
Hue/ Saturation
15:47
Vibrance
20:06
Demonstration 5: Color Balance
22:52
Color Balance
24:09
Exposure & Color, Part 3

21m 4s

Intro
0:00
Lesson Overview
0:07
Demonstration 1: Exposure and Color Correction
2:20
Images Overview
2:23
Correction In Camera RAW
4:59
Correction Using Color Balance
8:43
Demonstration 2: Exposure and Color Correction
13:40
Correction Overview
13:41
Shadow/Highlights
15:04
Curves
16:38
Vibrance
17:21
Hue/Saturation
17:49
Back to Curves
19:19
Images Comparison
19:38
Gradients

24m 5s

Intro
0:00
Lesson Overview
0:07
The Paint Bucket & Gradient Tool
0:37
The Paint Bucket Tool
0:38
The Gradient Tool
3:20
The Gradient Editor
10:07
The Gradient Editor
10:08
The Gradient Map Feature
16:26
The Gradient Map Feature
16:27
The Gradient Mask
20:55
The Gradient Mask
20:56
Lesson Summary
23:13
The Transform Tools

20m 5s

Intro
0:00
Lesson Overview
0:07
Transform Tools: Overview
0:21
Introduction to the Transform Tools
0:22
Scale
2:16
Skew
3:57
Distort
4:34
Perspective
5:00
Warp
5:38
Scale & Skew
6:45
Scale & Skew Demonstration
6:46
Distort
8:39
Distort Demonstration
8:40
Perspective
12:38
Perspective Demonstration
12:39
Warp Demonstration
13:35
Adaptive Wide Angle
14:28
Puppet Warp
15:46
Puppet Warp Demonstration
15:47
Actions

16m 17s

Intro
0:00
Lesson Overview
0:06
The Actions Panel
1:30
The Actions Panel
1:31
Preset Actions
3:11
Wood Frame
3:12
Sepia Toning
4:34
Molten Lead
4:43
Gradient Map
5:13
Creating An Action
6:05
Creating An Action Demonstration 1
6:06
Creating An Action Demonstration 2
8:33
The Batch Command
12:30
The Batch Command
12:31
Lesson Summary
15:22
VI. Selections
Introduction to Selections

24m 41s

Intro
0:00
Lesson Overview
0:07
Introduction to Selections
1:28
Apps and Plug-ins for Photo Correction
1:29
Introduction to Selections
5:26
The Principal Selection Tools: Marquee
7:39
The Principal Selection Tools: Lasso
8:15
The Principal Selection Tools: Quick Selection and Magic Wand
8:42
The Principal Selection Tools: The Pen Tool
9:09
The Principal Selection Tools: Quick Masks & Layer Masks
9:33
Panels: Refine Edge
12:04
Panels: Mask Panel
12:50
Panels: Channels
13:07
Panels: Paths
13:25
Functions: Feather
13:36
Functions: Calculation
14:19
Selections Demonstration 1: Scenery
15:08
Selections Demonstration 2: Car
20:04
Selections Demonstration 3: People
22:51
Lesson Summary
24:06
Selection, Part 1

19m 32s

Intro
0:00
Lesson Overview
0:07
Marquee Tool
2:44
Marquee Tool (Rectangular and Oval)
2:45
Lasso Tool
7:07
Lasso Tool (Freehand and Polygonal)
7:08
Quick Selection Tool
10:28
Quick Selection Tool
10:29
Magic Wand Tool
11:38
The Magic Wand Tool
11:39
Demonstration 1: Scenery
13:44
Demonstration 2: Flower
15:10
Quick Mask
16:12
Brief Look At The Magnetic Lasso Tool
17:50
Lesson Summary
18:56
Selection, Part 2

31m 29s

Intro
0:00
Lesson Overview
0:07
Basic Selection Shortcuts
1:24
Basic Selection Shortcuts
1:25
Demonstration 1
4:50
Magic Wand Tool
6:10
The Quick Selection Tool
6:38
The Polygonal Lasso Tool
7:26
Saving and Loading Selection
11:25
Free Hand Lasso Tool Correction
12:54
Painting in Quick Mask to Adjust a Selection
15:49
Image Adjustments
17:45
Demonstration 2
20:50
Painting in Quick Mask & Adjusting the Image
20:51
Lesson Summary
30:46
Feather

13m 24s

Intro
0:00
Lesson Overview
0:07
What is Feather?
0:53
Demonstration 1: Fixing the Water
1:26
Demonstration 2: Feather Sample
4:32
Demonstration 3: Fixing the Cove
6:42
Refining Selection Edges

31m 28s

Intro
0:00
Lesson Overview
0:07
Demonstration 1: Scenery
1:42
Recapping The Use of Feather
1:43
Refine Edge
4:30
Demonstration 2: Flower
10:00
Selection of The Flower
10:01
Preparing The Selection for Cutting Out an Image for Composition
14:01
Demonstration 3: Scenery
19:02
Selection: Grow and Similar
19:03
Edge Detection and Refine Radius Tool
22:21
Lesson Summary
29:52
Pen Tool, Part 1

25m 33s

Intro
0:00
Lesson Overview
0:06
The Pen Tool
2:11
Free Form Pen Tool
2:24
Convert Point Tool
5:10
Pen Tool: Shape & Path
7:13
Making Selection With The Pen Tool
8:05
Demonstration 1: Car
18:22
Using The Pen Tool to Make Selection Around a Car
18:23
Pen Tool Summary
22:46
Practice Assignment
23:26
Pen Tool, Part 2

26m 8s

Intro
0:00
Lesson Overview
0:08
The Pen Tool Recap
0:27
The Pen Tool - Part 2: Working With Points On A Path
2:11
Adjusting a Point For a Sharp Corner
2:51
Activate and Non-Active Points
5:01
Activating a Point(s) & Moving a Point
5:55
Deleting Single and Multiple Points
8:43
Demonstration 1: Automobile
10:17
Adding a Point
11:35
More On Deleting Single and Multiple Points
14:45
How Far Apart to Place Points to Make a Path
16:08
Saving a Path
21:35
Filling or Stroking a Path
23:02
Lesson Summary
25:48
Alpha Channels & Calculations

20m 7s

Intro
0:00
Lesson Overview
0:06
Demonstration 1: Scenery
1:43
Alpha Channels: What Are They & How to Use Them
1:44
Demonstration 2: Car
8:05
Working With Alpha Channels
8:06
Introduction to Calculations
13:15
Demonstration 3: People
14:54
More On Alpha Channels & Calculations
14:55
Lesson Summary
19:35
VII. Layers, Layer Masks, & Composites
Layers & Adjustment Layers

22m 10s

Intro
0:00
Lesson Overview
0:07
Layers Basics & The Layer Panel
1:46
Layers Basics & The Layer Panel
1:47
Organize Layers
10:16
Layer Style
12:06
Add Layer Mask
12:27
Adjustment Layers
13:32
Adjustment Layers - Why & How
16:46
Example: Using Adjustment Layers
16:47
Lesson Summary
21:34
Layers & Adjustment Layers, Part 2

21m 24s

Intro
0:00
Lesson Overview
0:06
Unlocking The Background Layer & Linking Layers
0:30
Unlocking The Background Layer
0:31
Linking Layers
3:36
Adjustment Layers & Layer Masks
7:15
Adjustment Layers & Layer Masks
7:16
Masks vs. Alpha Channels
17:18
Mask vs. Alpha Channels
17:19
Layers & Masks Examples

16m 29s

Intro
0:00
Lesson Overview
0:07
Layers, Masks & Adjustments
1:04
Making The Selection, Layers, and Mask
1:05
Adjustments: Cove & Ocean
6:42
Adjustments: Sky
12:06
Adjustments: Land
13:44
Layer Composites, Part 1

26m 4s

Intro
0:00
Lesson Overview
0:07
Seeing Digitally & Selecting Your Composite Elements
1:24
Seeing Digitally
1:25
Selecting Your Composite Elements: Size, Lighting, Perspective, and Color Match
3:57
Creating a Composite
10:10
Creating a Flawless Element Edge
10:11
Moving a Layer From One File to Another
18:15
Changing the Color
23:39
Lesson Summary
24:45
Composites Part 2

24m 6s

Intro
0:00
Lesson Overview
0:06
Creating The Composite
2:21
Images Overview
2:22
Sharpening The Image
5:08
Moving & Placing Layers
6:45
Retouching The Wall
9:28
Retouching The Wall Under The Flowers
12:24
Adding Shadow With The Burn Tool
14:58
Adding The Lawnmower
17:24
Lesson Summary
23:38
VIII. Retouching
Basic Retouching: Tools & Techniques

28m 56s

Intro
0:00
Lesson Overview
0:07
The Basic Retouching Tools and How to Properly Use Them: Demonstration 1
2:39
Image Overview
2:40
Rubber Stamp Tool
4:04
Spot Healing Brush Tool
15:18
The Basic Retouching Tools and How to Properly Use Them: Demonstration 2
19:36
Healing Brush, Spot Healing Brush, and Rubber Stamp
19:37
Patch Tool
24:30
Lesson Summary
27:34
Content Aware Functions

23m 10s

Intro
0:00
Lesson Overview
0:07
Content Aware Fill
1:39
Using the Content Aware Fill
1:40
Content Aware Move
8:10
Using the Content Aware Move
8:11
Content Aware Scale
11:30
Content Aware Scale: Demonstration 1
11:31
Content Aware Scale: Demonstration 2
15:06
Content Aware Extend
17:30
Content Aware Extend: Demonstration 1
17:31
Content Aware Extend: Demonstration 2
20:05
Lesson Summary
21:34
Retouching People: Part 1

21m 33s

Intro
0:00
Lesson Overview
0:07
Retouching People: Part 1
1:36
Retouching The Skin
1:37
Retouching Around The Eyes
6:01
Retouching The Eyes
12:06
Body Contouring: Chest
17:33
More On Retouching The Skin
20:12
Retouching People: Part 2

24m 25s

Intro
0:00
Lesson Overview
0:07
Retouching People: Part 2
1:29
Retouching The Lips
2:30
Retouching The Teeth
8:55
More On Retouching The Lips
11:43
Body Contouring: Face
13:40
Advanced Techniques For Retouching Skin
17:33
Retouching People: Part 3

20m 28s

Intro
0:00
Lesson Overview
0:09
Advanced Techniques For Retouching Portraits
0:59
Advanced Techniques For Retouching Portraits: Part 1
1:00
Advanced Techniques For Retouching Portraits: Part 2
8:14
Retouching Hair
14:02
Retouching Hair: Part 1
14:03
Retouching Hair: Part 2
15:55
IX. Filters and Blends
Basic Filters & Blend Modes

18m 26s

Intro
0:00
Lesson Overview
0:06
Basic Filters
0:36
Basic Filters Overview
0:37
Filter Gallery
1:48
Filter Gallery: Plastic Wrap
3:11
Filter Gallery: Texturizer
4:17
Blend Modes
5:40
Blend Modes Overview
5:41
Dissolve
6:06
Darken & Darken Color
6:55
Lighten
7:26
Hue, Saturation, Color and Luminosity
8:12
Demonstration 1: Lighting Effects Filter
8:41
Preparing The Image
8:42
Adding Lens Flare
9:31
Filter: Render Lighting Effects
9:51
Adding Another Lighting Effects Filter
11:38
Adding Lighting Effects Filter To The Background
13:13
Demonstration 2: More On Filters & Blend Modes
14:40
Blend Modes Demonstration
14:41
Oil Paint Filters Demonstration
15:56
Lesson Summary
18:06
Blur Filters

25m 12s

Intro
0:00
Lesson Overview
0:07
Blur & More Blur
0:54
Blur: Average
0:55
Blur
1:46
Blur More
2:41
Gaussian Blur
3:18
Gaussian Blur
3:19
Box, Lens, and Shape Blur
4:42
Box Blur
4:43
Lens Blur
6:38
Shape Blur
7:50
Motion and Radial Blur
8:39
Motion Blur
8:40
Radial Blur
9:05
Smart and Surface Blur
10:04
Smart Blur
10:05
Surface Blur
11:39
The New Blur Gallery
14:05
Tilt/Shift Blur: Demonstration 1
14:33
Tilt/Shift Blur: Demonstration 2
17:26
Field Blur
19:05
Iris Blur
22:16
The Liquify Filter

16m 17s

Intro
0:00
Lesson Overview
0:16
Demonstration 1: Using the Liquify Filter
0:34
Introduction to The Liquify Filter
0:35
The Liquify Filter Workspace and Tools Overview
1:50
The Push Tool
3:38
The Pucker Tool
3:48
The Bloat Tool
4:02
Adjusting the Face
4:15
Adjusting the Eyes
6:32
Adjusting the Body
9:24
Demonstration 2: Using the Liquify Filter
11:41
Adjusting the Image
11:42
Using The Mask Tools in the Liquify Filter
13:12
Vanishing Point Filter

18m 45s

Intro
0:00
Lesson Overview
0:07
Retouching In Perspective
0:28
Vanishing Point Filter
0:29
3D Compositing
6:44
Step 1: 3D Compositing Overview
6:45
Step 2: Creating a Plane With The Vanishing Point Filter
9:35
Step 3: Pasting and Editing The Image
11:26
Step 4: Blend Mode
15:19
X. Text
Using Text In Photoshop

31m 49s

Intro
0:00
Lesson Overview
0:07
Using Text In Photoshop
2:50
Type Tools Overview
2:51
Vertical Type Tool Demonstration
3:31
Character and Paragraph Type Panels
3:51
Linear Text
4:37
Font, Font Style, and Font Size
8:09
Leading
10:40
Tracking
11:59
Kerning
12:35
Letter Height & Width Distortion
15:45
Text Color
16:31
Character Adjustments
17:22
Paragraph Text
19:07
Alignment & Justification
19:11
Indent
23:08
Add Space
23:35
Put Type In Photograph
24:20
Put Type In Photograph
24:21
Guides and Grids
26:26
Guides and Grids
26:27
Manipulating Text

13m 58s

Intro
0:00
Lesson Overview
0:06
Manipulating Text
0:36
Warping Text
0:37
Rasterize & Free Transform
3:26
Clipping Paths
5:40
Type Effects: Bevel & Emboss
7:53
Type Effects: Drop Shadow
10:06
Type Effects: Pattern Overlay
11:17
Type Effects: Stroke
12:47
Lesson Summary
12:58
More Text Effects

16m 31s

Intro
0:00
Lesson Overview
0:07
Type On A Path
0:36
Creating A Path
0:37
Texts On A Path & How To Modify Them
1:48
Chrome Type
6:58
Step 1: Getting Started
6:59
Step 2: Rasterizing & Gradient
9:20
Step 3: Bevel & Emboss
10:45
Step 4: Merge Layer
11:10
Step 5: Curves Adjustment Layer
11:54
Step 6: Adding Color
13:54
Chrome Type Summary
14:43
Lesson Summary
15:56
XI. Cool Features
Colorize and Black & White Conversion

13m 16s

Intro
0:00
Lesson Overview
0:07
Demonstration 1: Colorize
0:32
Colorize
7:30
Demonstration 2: Black & White Conversion
7:40
Black & White Conversion Using Hue/Saturation
7:41
Black & White Conversion Using Grayscale
8:51
Black & White Conversion Using Black & White Adjustment
9:30
Demonstration 3: Black & White Conversion
11:25
Black & White Adjustment
11:26
Panorama

22m 6s

Intro
0:00
Lesson Overview
0:07
Shooting For The Panorama
0:50
Hold The Camera Steady
0:51
Overlap Your Images
1:36
Use The Same Exposure
2:02
Use The Same Zoom
2:44
Apply The Same Correction to Each Image
3:03
Scenic
3:25
Correct Way To Shoot a Panorama
3:26
Creating A Panorama In Photoshop
5:42
Adjusting The Images
6:22
Lining Up The Images
8:21
Photomerge Overview
10:02
Photomerge: Auto
12:34
Photomerge: Auto & Geometric Distortion Correction
15:36
Photomerge: Spherical
17:10
Photomerge: Collage
18:18
Photomerge: Reposition
19:20
Panorama Images Conclusion
20:10
HDR

20m 32s

Intro
0:00
Lesson Overview
0:07
High Dynamic Range (HDR) Overview
0:21
HDR Overview
0:22
How To Shoot HDR
2:49
How To Shoot HDR
2:50
Processing HDR in Photoshop
7:09
Merge Files to HDR Pro
7:10
Exposure Value (EV)
9:21
Looking at The Image
10:08
Mode: 8 bit, 16 bit, and 32 bit
11:49
Highlight Compression, Exposure and Gamma, Local Adaptation, and Equalize Histogram
13:00
Preset: Photorealistic
13:46
Preset: Scott5
14:25
Custom Preset: Edge Glow
15:25
Custom Preset: Tone and Detail
17:02
Custom Preset: Advanced & Curve
17:48
Final Result
18:41
Photo Frame Effect

21m 27s

Intro
0:00
Lesson Overview
0:08
Preparing Your Image
0:44
Gradient Overlay & Blend Mode
0:45
Layer Mask & Curves Adjustment
6:35
Merging Effects
13:07
Creating The 3D Frame
17:00
Step 1: Canvas Size
17:01
Step 2: Inner Shadow
18:08
Step 3: Sign The Image
19:49
Lesson Summary
20:49
Creating & Editing Video

26m 19s

Intro
0:00
Lesson Overview
0:07
The Video Workspace Overview
1:44
The Video Workspace Overview
1:45
Creating & Editing Video Demonstration
6:46
Importing Media
6:47
Organizing & Editing Your Clips
7:48
Adding Transitions
14:54
Using Adjustment Layers to Modify Clips
16:57
Adding Still Images
19:10
Adding a Soundtrack
20:28
Rendering Your Video
21:23
Lesson Summary
22:14
Final Edited Video
24:37
XII. Course Summary
Course Summary

6m 38s

Intro
0:00
Photoshop Course Summary
0:11
Photoshop Course Summary
0:12
Image Adjustments Review
2:11
Custom Shapes Review
5:19
Final Tip
6:03
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Lecture Comments (2)

1 answer

Last reply by: Charles Paustian
Sat Oct 4, 2014 6:01 AM

Post by Charles Paustian on October 4, 2014

I want to go to certain places in the lesson. I want to study areas I am not clear on.  I can't figure out how without running thru the whole video?

Pen Tool, Part 1

  • The Pen Tool is the most powerful selection tool in Photoshop! With the Pen tool you can select the most complex objects with absolute precision!
  • The Pen Tool makes Vector Paths - mathematical representations of a shape.
  • The Pen Tool can select precise complex shapes or make perfectly smooth shapes.
  • You can save your paths, and you can make them into selections.
  • The Pen Tool is the tool that is used in Illustrator to make artistic designs.
  • ATTENTION! go to your Options Bar for the Pen Tool and click the gear shaped icon to the left of the Auto Add/Delete checkbox. Check RUBBER BAND! This allows you to see the path follow your cursor. Unchecked it is very difficult to see where you are going!

Pen Tool, Part 1

Lecture Slides are screen-captured images of important points in the lecture. Students can download and print out these lecture slide images to do practice problems as well as take notes while watching the lecture.

  • Intro 0:00
  • Lesson Overview 0:06
  • The Pen Tool 2:11
    • Free Form Pen Tool
    • Convert Point Tool
    • Pen Tool: Shape & Path
    • Making Selection With The Pen Tool
  • Demonstration 1: Car 18:22
    • Using The Pen Tool to Make Selection Around a Car
  • Pen Tool Summary 22:46
  • Practice Assignment 23:26

Transcription: Pen Tool, Part 1

Hi everyone, Mike Brown here again.0000

Welcome back to educator.com's Adobe Photoshop CS6 course.0002

In the past several lessons, we have been learning how to make selections flawlessly so that you make your corrections and they blend and don't show any evidence of work.0007

We've gone over the Marquee, the Lasso tools, Quick Selection, Magic Wand, we've looked at the Quick Mask feature which allows you to paint corrections to existing selections or paint new selections from scratch.0021

We've also looked at the refine edge dialog box, we've discussed feather that allows you to play with your edges, all told you have almost all of the tools necessary to use in your arsenal to select almost anything efficiently and flawlessly with one exception.0040

That is the Pen tool.0060

The Pen tool is without question the most powerful selection tool in Photoshop--it can select anything.0063

Now, the Pen tool specifically is best for super precise, smooth curved, sharp cornered, very complicated objects that need perfect long either smooth or hard edges.0071

You can do some of this with the other tools but the Pen tool predominantly does that.0091

In this lesson, we're going to show you what it does, how the actual tool works, and this is the key--most people don't understand how to use the tool, because if you don't understand what it does, then you get confused.0095

So I'm going to de-mystify that part of it, just show you the basics of using it in this lesson and then give you some examples of where you'd use it and show you how well it works.0111

In the next lesson, I'll show you how to refine it, setting it down, modify it, and just hone things in, so let's get started.0122

First off, the Pen tool down here in the Toolbox--you see it highlighted, the shortcut (let's just pick another tool) the letter P as in Paul or P as in pen, and there you have the Pen tool.0132

The fly out menu has four sub-tools, let's very quickly go over those, and let me find a blank document.0144

The first one in the fly out is the free form Pen tool.0153

Now, if you remember the Lasso tool, very simply makes free form selections.0158

The free form Pen tool makes free form pas, and that's the difference between the Pen tool and the other tools--the Pen tool does not directly create selections, it creates pas which are vector which is mathematical representations of a shape edge.0166

You can take this path and convert it into a selection by using the pas panel which is under the Window menu; go to the dropdown menu and you can make a selection from the existing path, and then of course if you hit it with Quick Mask you can see that we have a selection.0192

Let me show you the difference between a path and a selection.0213

We're going to make just a quick path right here, then I'm going to go back to the Lasso tool and make a quick selection...0218

Go to Quick Mask and zoom it up...remember the jagged edges from a zero pixel feather, there's the edge of the Lasso selection.0231

Look at the edge of the path, it's absolutely perfectly smooth with no thickness, no jaggies, look how far up we are on the pixels and yet that edge is still perfectly smooth.0244

That's because it is a vector path.0259

Once we convert it to a selection...now it's the same as the Lasso tool, OK?0263

We're creating pas, and converting them to selections.0274

Alright, now as you saw the free form tool basically does the same thing as the Lasso tool, you don't need to use the free form tool, waste of time in my opinion, efficiency here, why make a path and go over and have to convert it to a selection--just do it directly.0278

OK, the second and third sub-tools; add anchor point and delete anchor point, you can do that directly with the Pen tool without having to go over here to the menu, a time saver, so we've eliminated the free form, add and delete.0295

The convert point tool--let me show you what it does and we don't need to use that one either because you can do that also with the Pen tool but let me show you what it does.0311

Take the Pen tool, and I'm going to make...wrong tool, I want the Pen tool...I'm going to make a shape that has a whole series of curved segments to it...0319

And I'm doing this carefully because I want you to see the curved edges...this by the way is how the Pen tool works--you click and drag to set points, and pull these arms to create the path.0340

Alright, we have a path here...now, if I highlight the convert point tool--you notice I set a bunch of points and it disappeared, you can always get them back notice when I come into the document I have a white arrow, click and drag around your path and the points return.0354

Now they're back there.0376

The convert point tool--notice it's shaped like a hard angle, that's because what it does, it converts curved point segments to hard corners, for example this one right up here.0377

As we roll over the point, notice it turned into that convert point icon and when I click, it becomes a hard corner.0392

If I click and drag again, I can re-convert the point back to a curved corner--let's do the same thing right here; click to a hard corner, click and pull the arms back out to convert so it converts from curve to hard and back.0403

That's what it does, but this can be done also with the Pen tool--all you need is the Pen tool and a key command.0423

Alright, so now you understand that.0430

When we're in the Pen tool let's look at our Options bar...the Pen tool can create pas or shapes, let me show you what a shape is; basically it is a path that is filled with a color or texture, so I'm going to fill it with red.0433

As I create my shape, it automatically becomes filled with the color as we move along making the new shape...and then you end up with a path--you still have your path that is filled with a color, that's what the shape tool does.0451

But we're dealing with pas that can be converted to selections because this is a selection tool.0475

Alright, now, I'm going to show you one trick that's going to save your life.0483

All of the other options you don't need to deal with at all with the exception of under the gear and I've already checked it but I'm going to uncheck it.0490

Remember...forget the remember, I'll show you.0497

When I click and drag a point and move my cursor, I don't see any path or anything no matter where I go until I click the next point and begin to drag.0500

It makes it a bit difficult because we're trying to fit these pas around a shape to end up with a selection so I really can't see what I'm doing here, it makes it a little bit difficult.0512

So if you go right now and drop the gear down, notice the rubber band option--check it, leave it forever, this is a life saver--now watch.0526

Click and drag, notice that the path follows my cursor, so I can see what I'm doing which means if I was on a shape such as this now, and I click and drag a point to make my path, I can see where I'm going, I can see the path, and then when I can see exactly where I want to go, which makes it so much easier to set the points and not have to try to fix mistakes because I couldn't see the path.0536

That's the value of the rubber band option.0573

Check it, leave it.0576

OK, now we're going to talk about precisely what the...Pen tool does and how it works.0578

Let's get this, and let me find that...I'll just make another one, to heck with it, it's easier.0595

And take that one away and put it right over here, and drop it down a notch--alright.0605

What I've got here, is a page out of a textbook (I wrote the textbook so it's legitimate) and this shows you the secrets to the Pen tool, right here.0611

To utilize the Pen tool, you can use it first off in the most basic form, just like the polygonal Lasso tool.0626

Polygonal Lasso tool, remember, drops straight edged segments and when you close it off you've got a selection.0636

The Pen tool itself, if you don't click and drag, just click...click and straight segments you can do exactly the same thing as the polygonal, then go to your pas panel, drop down, make selection and you're in the same place.0643

But the primary function is to make complex curves, hard corners to fit complex shapes and make a path and turn that into a selection--how do you do it?0661

You click and drag, and as you drag away from the point you notice that you get two control arms--one goes in one direction, one goes the other, and you can adjust the length, you can also adjust the angle, and that's all you need to make this work.0672

Now, if you look over on the page, long arms indicate to the computer--the computer is trying to figure this out as you draw out the arms.0693

The longer the arm, the shallower the curve--that's what the computer understands that you're trying to do--long arms means you're setting something to make a shallow curve.0708

Little short arms means that you're going to be working on a tight curve, so this one here is indicating, and you can see that the path comes out--it wants to go in a shallow curve.0719

If I did it in a short, see how much easier it works?0732

Coming out for tighter corners--it's automatically turning tightly.0738

That's telling the computer the curvature of the path.0743

The angle of the arm is telling it the direction of the path.0748

Notice if you follow from my cursor back into the point, you see that the path (let me bring it up a little) the path is coming out absolutely parallel to the control arm at the point.0756

It only bends away as I pull or change the path, but right in at the point, the source, it's absolutely parallel to the control arm, that's the direction of the path, the length of the arm indicates the curvature.0773

Alright, so we'll take that one step further--point number one.0789

The computer's only working with two points at a time, not the entire path.0794

It's establishing a path between two points, so here we've set a point.0798

This direction and that arm length indicate the curvature direction and the general curvature--when we go to another point, click and pull...the computer in this point did the same thing.0804

It determined that by the length of this arm--you notice it's a tighter curve out of that one than it is the first one, but where it comes around, it goes into that point that we set the second one parallel and the direction, so that established this length and that length gave the two curvatures that led to that shape.0823

And I could adjust that by pulling this arm further out and moving it, and you notice how the segment of path changes, so we control the path shape with the arm and the direction--length of arm and direction--that's all there is to it.0847

We go to the next point; notice on the trailing arm which I'm going to reset a little differently, the arms are always parallel unless we change them another way.0864

Notice the path comes out of that point parallel to the trailing controlling arm, and it only changes when I click and drag from a new point to determine the shape of the path between those two points.0875

When I release, and go to click a third point, once again we're now working between these two--it's always the length of the arm outgoing in that direction, the length of the arm incoming in that direction.0892

And what that shows you, is that to make this work properly, these points would be on a shape.0906

You must set your control arm parallel to the shape at that point because that's where the path is going and I'll demonstrate that to you right now.0913

I'm going to make this entire image lighter so that I can demonstrate this.0927

So I want to make a path that follows this shape, so I'm going to click and drag--now remember, the path is going to come out parallel to the point--you never want to be anything but tangent.0936

Notice if I'm inside like this, see where the path came out?0950

It didn't follow the shape, it followed the control arm, so if I set down this point and I pull tangent, you notice that the shape is trying to follow...the path is following the shape back to here, but since this arm is wrong it cannot match it up.0956

It's because of the initial mistake, so let's start that again; click and drag...tangent to the point, not ever touching inside the curve or out of the curve, exactly tangent and notice now that the path is following the shape.0975

And now when I go over, click and pull on the second point, tangent not in, see it's above the curve, not out, it's below the curve just tangent, and just pull...keeping them tangent watch the path...look.0993

Look...it pulls perfectly to follow the shape because this arm is tangent at that point, that arm is tangent at that point.1010

This is the key to making the Pen tool work--if you don't do this, you'll have trouble.1020

Click and drag tangent at the point--notice it's kind of a reverse curve, yes that touched in but not at the point.1028

Notice we're fine here, so now when I go down here, I click and drag tangent at that point, look at the path, following the shape.1035

Go right down to here, click and drag tangent at that point and just pull--you're not in, not out--tangent, and look at the path, see how it follows perfectly?1045

Let's come on around, click and drag tangent at the point that I'm pulling from and just pull the arms, not like that, not like that, dead tangent at the point and look at the path.1056

See how I haven't had to change anything, I'm staying a little outside the shape by the way just so I can show you the path better--let's try way up here.1070

Click and drag tangent at that point, and it's following--now we made a slight error back here, I can see that, and in the next lesson I'll show you here's how you correct it, just like that, very simple.1081

Alright, you understand, tangent at every point--let me demonstrate that to you by using this particular photo right here.1096

Here's the original car--we had to cut this thing out and this is to show you why you use the Pen tool in the first place.1109

Look closely at the rough line, see that little plant back there that's peeking over the car?1117

There's the actual rough line, but you can't see it over here, so if you tried to use something like the Quick Selection tool...it doesn't know what to do because it can't actually see the precise edge--you'd have a miserable time trying to paint that in, so we'll take the Pen tool and show you how easy it is.1122

We know where that rough line is, we'll start right over here...click and drag tangent, not in, not out, tangent, because I can see (I'm off just a little, there it is) and now I'll start working my--and I can see where the rough line is.1144

We know we want the rough line right there just pulling tangent, move over here, pull tangent--not like this, not like that, just tangent and pull it out until the path follows your shape.1163

I missed slightly, you can correct the point just like that.1178

Move over here, same thing--just up a little bit into the white, coming out around, there we are...click and drag tangent, not like this, not like that, see the difference?1183

As long as we're perfectly tangent at the point, it fits.1195

Do the same thing down here, now remember that convert point tool?1201

I can do it with my Pen tool--watch.1205

See the little icon?1209

I click, and I can now make a hard corner, and I can continue to follow the shape around--tangent, notice not in, not out, just tangent and pull the arms until it fits.1211

Coming down a little further once again, tangent, pull the arm until the path fits--not up, not down, absolutely tangent.1225

This is the key--you notice I haven't had to fix anything at all; tangent, and pull...tangent, and pull--now we're going the other way...tangent, and pull.1235

Notice the curve, it's come under and over, and now tangent and pull, and remember the tight corner I was talking about--I've gone with very shallow, I'm getting shorter and shorter--very short right here, here's a hard point.1246

Click tangent, just a little bit--the path is following--it's hard to see...come down and I'm going to go straight down here--click tangent every time I'm at another hard corner, I'm going to convert that point and just click and drag tangent--you know these are really hard to see edges, and you'd have a heck of a time doing this with any other selection tool.1261

Click and drag tangent at every single point along the way...there was a little re-curve in there, I just bypassed it--see, not like that, not like that, tangent, and I'll stop right here, let me go back and close off to the beginning--click, click, click, and let's get that turned into a selection.1286

I'll make it one pixel of feather, there we have it, let's do Quick Mask and go back and look at what we did.1313

Notice...how perfectly smooth this edge is and notice that it's slightly up above that edge where you couldn't see the actual rough line--you see that right in there?1323

But we know where it is--look how it's following that--look at that, unbelievable.1340

This Pen tool is phenomenal for precision selections--there we go around the corner, notice, and all I did was click and drag tangent at every single point on the vehicle--look at that.1344

Just that was that little spot that I told you I made a mistake on, there it is, OK, so let's sum this all up.1361

What we've learned in this lesson, the primary thing, the Pen tool, to make a selection around a shape, the length of the handles determine the curvature, the angle of the handles determine the direction and the path and here's little sample.1371

Handles are always tangent to the curved shape at that point.1386

Long handles, shallow curve, handles tangent to the curved shape, handles tangent to the curved shape, that sums up the key to making the Pen tool work for you.1392

Now I'm going to give you, quickly, a little assignment--let me find the red Mercedes--I think this will work just fine here.1406

This image is included, I want you to (or find one yourself) find an image that has an oval shape in it--you could just do this, we'll just create a blank document.1417

Let's take an oval and create an oval shape...and I'm going to fill it with the foreground color which is--actually let's just fill it with a color and make it a pale color so that you can see what's happening...kind of a pale red...there it is.1431

Now, what I want you to do is create something like this--now take the Pen tool and practice--click and drag, tangent, remember not in, not out, tangent, and watch.1454

If you're very careful...click and drag tangent, look watch the path, watch the path...pulls right perfectly along the curve shape, go to your next point, click and drag.1468

I want you to practice making pas with the Pen tool...before you go to the next lesson.1484

Notice tangent again, not in, not out, don't cross that shape, just pull the arms until it matches--let's just go ahead and close that part of it off once again to show you how perfectly it works--look at that, right around that shape.1498

So I want you guys to do the same thing; create that, practice working with a smooth shape, and then come back for the next lesson and I'll show you how to adjust points and determine exactly where you want to put them.1518

I'll see you back for Pen tool part two.1530

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