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Michael Brown

Michael Brown

Introduction to Selections

Slide Duration:

Table of Contents

I. Introduction
Introduction To Photoshop

14m 46s

Intro
0:00
Lesson Overview
0:09
Learning Photoshop
0:51
Key To Learning Photoshop
0:52
Four Categories of Photoshop
1:39
Selections
1:40
Corrections
2:23
Retouching
2:40
Manipulation
3:15
Bridge, Camera RAW, and Photoshop Overview
3:46
Bridge
3:47
Camera RAW
4:26
Photoshop
5:03
Example: Editing an Image
5:30
Working In Bridge
5:36
Working In Camera RAW
7:19
Working In Photoshop
9:15
Shadows & Highlights Adjustment
10:02
Cropping & Canvas Size Adjustment
10:49
Noise Adjustment
12:24
Lesson Summary
14:02
The Importance of Quality

17m 46s

Intro
0:00
Lesson Overview
0:07
The Mantra of Quality
2:07
The Mantra of Quality
2:08
Setting Up Your Camera
3:50
Setting Up Your Camera For JPEG & RAW
3:51
Camera Image Quality and Image Size Screenshots
5:55
Some Tips on Taking Quality Photos
8:28
Fill The Frame & Compose your Shot Tightly In The Monitor
8:53
Example 1: Taking Quality Photos
9:20
Example 2: Taking Quality Photos
10:28
Example 3: Taking Quality Photos
10:53
Check Your Focus
11:46
Be Careful of Camera Shake
13:06
Make Sure That You Get The Best Exposure
14:24
Shoot Multiple Angles and Focal Lengths
15:14
Shoot Several Shots of a Scene If You Can
17:10
Light & Color

15m 27s

Intro
0:00
Lesson Overview
0:06
A Simple Lesson in Light & Color
1:07
What is Light?
1:08
Brightness
1:19
Color
2:26
Transmitted Light vs. Reflected Light
3:01
Transmitted Light is Additive
4:34
Reflected Light is Subtractive
6:23
Why Is This Important In Photoshop?
7:16
Color Spaces
7:48
Visible Spectrum of Color
8:12
ProPhoto RGB
8:42
Adobe RGB
9:58
sRGB
10:40
CMYK
11:34
Set Camera to Adobe RGB and Photoshop Default to Adobe RGB
13:10
RGB vs. CMYK
14:11
White Balance and Monitor Calibration

17m 34s

Intro
0:00
Lesson Overview
0:06
White Balance
0:55
What is White Balance?
0:56
White Balance Preset In Your Camera
1:53
Example: White Balance
3:09
Daylight
4:06
Tungsten
4:36
Shade
5:33
How Does White Balance Apply in Photoshop?
6:56
Camera RAW & Temperature Slider
6:57
Monitor Calibration
8:39
Monitor Calibration
8:40
Calibrating Your Monitor Overview
9:32
A Basic Color Monitor Calibration Method
10:51
A Basic Method for Calibrating to a Printer
13:25
Lesson Summary
17:03
II. Workspace
The Workspace

20m 17s

Intro
0:00
The Work Space
0:15
Application Frame
0:16
The New Interface
2:22
The Tool Bar
4:28
The Options Bar
7:31
The Menu Bar
8:38
The Panels
9:16
Mini Bridge and Video Timeline
11:20
The Document Window
12:39
Arranging Documents
16:15
Customizing Your Workspace
17:33
Lesson Summary
19:27
The Tool Bar & Essential Shortcuts

14m 16s

Intro
0:00
Lesson Overview
0:06
Essential Key Commands in Photoshop
0:43
Photoshop Tools - Defined
1:40
Photoshop CS6 Tools & Tool Shortcut Key
2:14
Photoshop CS6 Tools & Tool Shortcut Key: Overview
2:15
Move Tool
2:51
Hand Tool
3:04
Marquee Tool
3:26
Lasso Tool
3:42
Quick Selection Tool & Magic Wand Tool
4:11
Crop Tool
4:41
Perspective Crop Tool & Slice Tool
7:32
Color Sampler & Eyedropper Tool
8:09
Healing Brush Tool
9:14
Brush/Pencil Tool
9:28
Clone/Pattern Stamp Tool
9:37
History Brush Tool
9:52
Eraser Tool
10:07
Gradient
10:16
Blur/Sharpen/Smudge Tool
10:23
Dodge/Burn/ Sponge Tool
10:31
Pen Tool
10:43
Text Tool
10:50
Path Selection Tool
11:03
Shape Tool
11:09
Hand & Rotate View Tool
11:37
Zoom Tool
11:57
Quick Mask
13:01
Screen Mode
13:17
The Menu Bar

17m

Intro
0:00
Lesson Overview
0:07
File
0:34
New
0:50
Open
1:05
Browse in Bridge and Mini Bridge
1:14
Open as Smart Objects
1:33
Open Recent
1:56
Close, Close All, Close and Go to Bridge…
2:55
Save, Save As, and Save for Web
3:22
Place, Import, Export
4:00
Automate
4:09
Scripts
5:21
Edit
6:18
Undo, Step Forward, and Step Backward
6:19
Cut, Copy, Paste, and Paste Special
6:47
Fill and Stroke
7:10
Content-Award Scale & Puppet Warp
7:17
Free Transform and Transform
7:29
Color Settings & Keyboard Shortcuts
7:50
Image
8:27
Mode
8:30
Adjustments
9:07
Layer
10:08
Layer
10:09
Type
10:31
Type
10:32
Filter
11:24
Filter
11:25
View
12:04
Proof Setup & Colors
12:11
Rulers
12:46
Show Grid & Guides
13:04
Show Pixel Grid
13:58
Window
14:57
Window
14:58
Help
15:27
Help
15:28
Setting Preferences

18m 36s

Intro
0:00
Setting Preferences: General
0:21
Color Picker, HUD Color Picker, and Image Interpolation
0:22
Auto-Update Open Documents, Beep When Done, and Dynamic Color Sliders
1:54
Export Clipboard
2:27
Use Shift Key for Tool Switch
2:40
Resize Image During Place
3:15
Animated Zoom
3:51
Zoom Resizes Windows
4:30
Zoom with Scroll Wheel & Zoom Clicked Point to Center
5:01
Flick Panning
5:33
Vary Round Brush Hardness Based on HUD Vertical Movement
5:49
Place or Drag Raster Images as Smart Objects
6:06
Setting Preferences: Interface
6:33
Appearance
6:44
Options
7:08
Setting Preferences: File Handling
7:44
File Saving Options
7:45
File Compatibility
9:40
Camera Raw Preferences
10:34
Setting Preferences: Performance
12:35
Memory Usage
12:36
History & Cache
13:36
Graphics Processor Settings
14:05
Setting Preferences: Cursors
14:36
Painting Cursors
14:37
Other Cursors & Brush Preview
15:29
Setting Preferences: Transparency & Gamut
15:41
Transparency Settings
15:42
Gamut Warning
15:54
Setting Preferences: Units & Rulers
16:36
Units & Rulers
16:37
Setting Preferences: Guides, Grid & Slices
16:50
Guides, Grid and Slices
16:51
Setting Preferences: Plug-in & Type
17:52
Plug-in & Type
17:53
III. Adobe Bridge
Adobe Bridge Overview

18m 13s

Intro
0:00
Lesson Overview
0:06
The Basic Interface
0:53
Starting Adobe Bridge
0:54
General Tab
1:52
The Panels
3:50
The Panels
3:51
The Tools Bar
6:35
Navigation Tool
6:43
Favorites
7:20
Recent Files
7:33
Boomerang
7:48
Get Photos from Camera & Refines
8:17
Open in Camera Raw & Output
9:28
Thumbnail Qualities
9:56
Sorting Files
10:50
Workspace Layout
11:09
Filmstrip
11:32
Metadata
12:05
Output
12:15
Menu Bar
13:20
Menu Bar
13:21
Content View Controls
13:48
Content View Controls
13:49
Customizing the Workspace
15:25
Customizing the Workspace
15:26
Lesson Summary
17:19
Importing, Sorting, and Rating

22m 22s

Intro
0:00
Lesson Overview
0:09
Preferences
0:32
Accessing Preferences
1:00
Appearance
1:13
Behavior
1:34
Favorite Items
2:00
Metadata
2:28
Menu Bar
3:14
File
3:15
Edit
4:04
View
4:48
Stacks and Label
5:33
Window
7:22
Importing Images
7:39
Getting Images
7:40
Selecting Specific Files
8:35
Save Options
11:17
Advanced Options
12:33
Apply Metadata
13:25
Editing & Rating
14:28
Editing & Rating
14:29
Filtering
20:34
Filtering
20:35
Lesson Summary
21:17
Getting Organized

13m 9s

Intro
0:00
Lesson Overview
0:07
Getting Organized
0:32
Stacks
0:33
Favorites
3:08
Collections
4:48
Keywords & Search by Filtering
7:07
Summary
11:00
Creating PDF's and Web Photo Galleries

8m 49s

Intro
0:00
Lesson Overview
0:05
Creating PDF's
0:32
Getting Started
0:33
Output & Document
0:57
Layout & Overlays
2:28
Header
3:22
Web Photo Galleries
5:10
Getting Started
5:11
Output & Appearance
5:30
Create Gallery: Upload Location & Saving
7:05
Adobe Bridge Summary

11m 18s

Intro
0:00
Lesson Overview
0:15
Summary of Principal Features in Adobe Bridge
0:27
The Bridge Workspace is Customizable
0:28
Downloading Images From a Camera Directly to Bridge
1:55
Sorting, Labeling, and Rating Images
3:01
Filter Panel
4:20
Favorites Panel
5:21
Navigation
7:51
Keywords and Metadata
8:19
Creating PDF's and Web Photo Galleries
10:17
IV. Camera RAW
Camera RAW

11m 44s

Intro
0:00
Lesson Overview
0:43
What is RAW & Camera RAW?
1:02
JPEG
1:03
RAW
3:30
Camera RAW
4:17
Camera RAW
5:20
Choosing Your Files
5:21
Camera RAW Workspace
6:07
JPEG vs. RAW
7:08
Camera RAW, Part 2

22m 40s

Intro
0:00
Lesson Overview
0:19
Why Use Camera RAW?
0:35
Why Use Camera RAW?
0:36
Why Bother With Photoshop?
1:16
Why Bother With Camera RAW?
2:03
A Quick Look at The Tool Bar and Tools
2:52
Getting Started in Camera RAW
2:53
Save Image, Open Image, and Done
3:50
A Quick Look at The Tool Bar and Tools
5:06
Basic Panel
8:18
Temperature Slider & Tint
8:19
Exposure
9:54
Highlights & Contrast
10:23
Whites and Blacks
11:14
Clarity
11:21
Vibrant and Saturation
12:13
Lens Corrections
13:25
Enable Lens Profile Corrections
13:56
Color Tab
15:34
Split Toning
18:10
Split Toning
18:11
Noise Reduction
18:39
Detail Panel
19:59
Noise Reduction
20:23
Tone Curve
21:36
Tone Curve
21:45
V. Photoshop Basics
Categories

11m 28s

Intro
0:00
Lesson Overview
0:06
The Four Basic Categories in Photoshop
2:10
The Four Basic Categories in Photoshop Overview
2:36
Selection
3:01
Correction
4:14
Retouch
4:47
Manipulation
5:31
Some Important Tools and Valuable Shortcuts
6:23
Hand Tool
6:30
Move Tool
7:21
Zoom Tool 1
7:56
Zoom Tool 2
8:39
Zoom Tool 3
9:13
Quick Mask
9:38
Gradient Tool
10:58
File Formats

9m 37s

Intro
0:00
Lesson Overview
0:07
The Primary File Formats in Photoshop
0:41
PSD
1:10
TIFF
3:09
JPEG
4:20
PNG
5:55
GIF
6:22
PDF
7:01
DNG
7:37
Image Size, Canvas Size, & Resolution

20m 54s

Intro
0:00
Lesson Overview
0:06
Image Size & Resolution
0:49
Pixel Dimensions & Document Size
1:31
Canvas Size
13:48
Canvas Size
13:49
Saving Your Images

17m 18s

Intro
0:00
Lesson Overview
0:06
Saving Your Images
0:27
Save & Save As
0:28
Save in Background and Auto Save
6:04
Save for Web
8:27
Cropping & Straightening

13m 59s

Intro
0:00
Lesson Overview
0:07
Correcting for Lens Distortion and Camera Vignetting
0:50
Correcting for Lens Distortion and Camera Vignetting
0:51
Straightening Horizons
4:06
Straightening Horizons
4:07
The New Interface & Cropping
6:20
The New Interface & Cropping
6:21
Perspective Cropping
10:10
Perspective Cropping
10:11
Brushes

28m 3s

Intro
0:00
Lesson Overview
0:08
Basic Brushes
2:17
Introduction to Basic Brushes
2:18
Brush Control Panel
3:47
Brush Control Panel: Mode
4:19
Brush Control Panel: Opacity
5:04
Brush Control Panel: Pressure
5:11
Brush Control Panel: Flow
6:44
Brush Control Panel: Airbrush Control
7:46
Brush Sizing Shortcuts
8:54
Adjusting Brush Size and Hardness Shortcuts
8:55
Bush Controls
11:54
Brush Controls
11:55
Types of Brushes
16:25
Bristle Brushes
16:26
Erodible Tip Brushes
17:54
Air Brushes
19:18
Mixer Brushes
22:25
How to Make a Custom Basic Brush
25:02
Sharpening Methods

18m 3s

Intro
0:00
Lesson Overview
0:07
Sharpening Terms
1:58
Amount
2:11
Radius
3:06
Threshold
3:44
Sharpening Methods
4:29
Sharpen
4:30
Sharpen More
5:42
Sharpened Edges
6:53
Smart Sharpen
9:04
Unsharp Mask
11:08
High Pass Sharpening
12:48
Exposure & Color, Part 1

18m 43s

Intro
0:00
Lesson Overview
0:06
Exposure and Color Overview
0:29
The Mantra & The Controls
0:30
Auto Exposure & Color Controls
0:59
Manual Exposure Controls
1:46
Color Controls
2:21
Adjustment Demonstration 1
3:20
Curves & Auto Color Correction Options
4:37
Brightness/Contrast
7:47
Levels
8:36
More On Curves
10:15
Adjustment Demonstration 2
13:26
Using Curves
14:02
Adjustment Demonstration 3
16:10
Using Curves
16:18
Lesson Summary
18:12
Exposure & Color, Part 2

26m

Intro
0:00
Lesson Overview
0:07
Demonstration 1: More on Curves and Levels
2:19
Levels
2:52
Curves
5:54
Demonstration 2: More on Curves and Level
8:11
Curves
8:12
Demonstration 3: Shadows & Highlights
11:09
Overview
11:10
Shadow and Highlights
12:16
Demonstration 4: Hue/Saturation and Vibrance
15:46
Hue/ Saturation
15:47
Vibrance
20:06
Demonstration 5: Color Balance
22:52
Color Balance
24:09
Exposure & Color, Part 3

21m 4s

Intro
0:00
Lesson Overview
0:07
Demonstration 1: Exposure and Color Correction
2:20
Images Overview
2:23
Correction In Camera RAW
4:59
Correction Using Color Balance
8:43
Demonstration 2: Exposure and Color Correction
13:40
Correction Overview
13:41
Shadow/Highlights
15:04
Curves
16:38
Vibrance
17:21
Hue/Saturation
17:49
Back to Curves
19:19
Images Comparison
19:38
Gradients

24m 5s

Intro
0:00
Lesson Overview
0:07
The Paint Bucket & Gradient Tool
0:37
The Paint Bucket Tool
0:38
The Gradient Tool
3:20
The Gradient Editor
10:07
The Gradient Editor
10:08
The Gradient Map Feature
16:26
The Gradient Map Feature
16:27
The Gradient Mask
20:55
The Gradient Mask
20:56
Lesson Summary
23:13
The Transform Tools

20m 5s

Intro
0:00
Lesson Overview
0:07
Transform Tools: Overview
0:21
Introduction to the Transform Tools
0:22
Scale
2:16
Skew
3:57
Distort
4:34
Perspective
5:00
Warp
5:38
Scale & Skew
6:45
Scale & Skew Demonstration
6:46
Distort
8:39
Distort Demonstration
8:40
Perspective
12:38
Perspective Demonstration
12:39
Warp Demonstration
13:35
Adaptive Wide Angle
14:28
Puppet Warp
15:46
Puppet Warp Demonstration
15:47
Actions

16m 17s

Intro
0:00
Lesson Overview
0:06
The Actions Panel
1:30
The Actions Panel
1:31
Preset Actions
3:11
Wood Frame
3:12
Sepia Toning
4:34
Molten Lead
4:43
Gradient Map
5:13
Creating An Action
6:05
Creating An Action Demonstration 1
6:06
Creating An Action Demonstration 2
8:33
The Batch Command
12:30
The Batch Command
12:31
Lesson Summary
15:22
VI. Selections
Introduction to Selections

24m 41s

Intro
0:00
Lesson Overview
0:07
Introduction to Selections
1:28
Apps and Plug-ins for Photo Correction
1:29
Introduction to Selections
5:26
The Principal Selection Tools: Marquee
7:39
The Principal Selection Tools: Lasso
8:15
The Principal Selection Tools: Quick Selection and Magic Wand
8:42
The Principal Selection Tools: The Pen Tool
9:09
The Principal Selection Tools: Quick Masks & Layer Masks
9:33
Panels: Refine Edge
12:04
Panels: Mask Panel
12:50
Panels: Channels
13:07
Panels: Paths
13:25
Functions: Feather
13:36
Functions: Calculation
14:19
Selections Demonstration 1: Scenery
15:08
Selections Demonstration 2: Car
20:04
Selections Demonstration 3: People
22:51
Lesson Summary
24:06
Selection, Part 1

19m 32s

Intro
0:00
Lesson Overview
0:07
Marquee Tool
2:44
Marquee Tool (Rectangular and Oval)
2:45
Lasso Tool
7:07
Lasso Tool (Freehand and Polygonal)
7:08
Quick Selection Tool
10:28
Quick Selection Tool
10:29
Magic Wand Tool
11:38
The Magic Wand Tool
11:39
Demonstration 1: Scenery
13:44
Demonstration 2: Flower
15:10
Quick Mask
16:12
Brief Look At The Magnetic Lasso Tool
17:50
Lesson Summary
18:56
Selection, Part 2

31m 29s

Intro
0:00
Lesson Overview
0:07
Basic Selection Shortcuts
1:24
Basic Selection Shortcuts
1:25
Demonstration 1
4:50
Magic Wand Tool
6:10
The Quick Selection Tool
6:38
The Polygonal Lasso Tool
7:26
Saving and Loading Selection
11:25
Free Hand Lasso Tool Correction
12:54
Painting in Quick Mask to Adjust a Selection
15:49
Image Adjustments
17:45
Demonstration 2
20:50
Painting in Quick Mask & Adjusting the Image
20:51
Lesson Summary
30:46
Feather

13m 24s

Intro
0:00
Lesson Overview
0:07
What is Feather?
0:53
Demonstration 1: Fixing the Water
1:26
Demonstration 2: Feather Sample
4:32
Demonstration 3: Fixing the Cove
6:42
Refining Selection Edges

31m 28s

Intro
0:00
Lesson Overview
0:07
Demonstration 1: Scenery
1:42
Recapping The Use of Feather
1:43
Refine Edge
4:30
Demonstration 2: Flower
10:00
Selection of The Flower
10:01
Preparing The Selection for Cutting Out an Image for Composition
14:01
Demonstration 3: Scenery
19:02
Selection: Grow and Similar
19:03
Edge Detection and Refine Radius Tool
22:21
Lesson Summary
29:52
Pen Tool, Part 1

25m 33s

Intro
0:00
Lesson Overview
0:06
The Pen Tool
2:11
Free Form Pen Tool
2:24
Convert Point Tool
5:10
Pen Tool: Shape & Path
7:13
Making Selection With The Pen Tool
8:05
Demonstration 1: Car
18:22
Using The Pen Tool to Make Selection Around a Car
18:23
Pen Tool Summary
22:46
Practice Assignment
23:26
Pen Tool, Part 2

26m 8s

Intro
0:00
Lesson Overview
0:08
The Pen Tool Recap
0:27
The Pen Tool - Part 2: Working With Points On A Path
2:11
Adjusting a Point For a Sharp Corner
2:51
Activate and Non-Active Points
5:01
Activating a Point(s) & Moving a Point
5:55
Deleting Single and Multiple Points
8:43
Demonstration 1: Automobile
10:17
Adding a Point
11:35
More On Deleting Single and Multiple Points
14:45
How Far Apart to Place Points to Make a Path
16:08
Saving a Path
21:35
Filling or Stroking a Path
23:02
Lesson Summary
25:48
Alpha Channels & Calculations

20m 7s

Intro
0:00
Lesson Overview
0:06
Demonstration 1: Scenery
1:43
Alpha Channels: What Are They & How to Use Them
1:44
Demonstration 2: Car
8:05
Working With Alpha Channels
8:06
Introduction to Calculations
13:15
Demonstration 3: People
14:54
More On Alpha Channels & Calculations
14:55
Lesson Summary
19:35
VII. Layers, Layer Masks, & Composites
Layers & Adjustment Layers

22m 10s

Intro
0:00
Lesson Overview
0:07
Layers Basics & The Layer Panel
1:46
Layers Basics & The Layer Panel
1:47
Organize Layers
10:16
Layer Style
12:06
Add Layer Mask
12:27
Adjustment Layers
13:32
Adjustment Layers - Why & How
16:46
Example: Using Adjustment Layers
16:47
Lesson Summary
21:34
Layers & Adjustment Layers, Part 2

21m 24s

Intro
0:00
Lesson Overview
0:06
Unlocking The Background Layer & Linking Layers
0:30
Unlocking The Background Layer
0:31
Linking Layers
3:36
Adjustment Layers & Layer Masks
7:15
Adjustment Layers & Layer Masks
7:16
Masks vs. Alpha Channels
17:18
Mask vs. Alpha Channels
17:19
Layers & Masks Examples

16m 29s

Intro
0:00
Lesson Overview
0:07
Layers, Masks & Adjustments
1:04
Making The Selection, Layers, and Mask
1:05
Adjustments: Cove & Ocean
6:42
Adjustments: Sky
12:06
Adjustments: Land
13:44
Layer Composites, Part 1

26m 4s

Intro
0:00
Lesson Overview
0:07
Seeing Digitally & Selecting Your Composite Elements
1:24
Seeing Digitally
1:25
Selecting Your Composite Elements: Size, Lighting, Perspective, and Color Match
3:57
Creating a Composite
10:10
Creating a Flawless Element Edge
10:11
Moving a Layer From One File to Another
18:15
Changing the Color
23:39
Lesson Summary
24:45
Composites Part 2

24m 6s

Intro
0:00
Lesson Overview
0:06
Creating The Composite
2:21
Images Overview
2:22
Sharpening The Image
5:08
Moving & Placing Layers
6:45
Retouching The Wall
9:28
Retouching The Wall Under The Flowers
12:24
Adding Shadow With The Burn Tool
14:58
Adding The Lawnmower
17:24
Lesson Summary
23:38
VIII. Retouching
Basic Retouching: Tools & Techniques

28m 56s

Intro
0:00
Lesson Overview
0:07
The Basic Retouching Tools and How to Properly Use Them: Demonstration 1
2:39
Image Overview
2:40
Rubber Stamp Tool
4:04
Spot Healing Brush Tool
15:18
The Basic Retouching Tools and How to Properly Use Them: Demonstration 2
19:36
Healing Brush, Spot Healing Brush, and Rubber Stamp
19:37
Patch Tool
24:30
Lesson Summary
27:34
Content Aware Functions

23m 10s

Intro
0:00
Lesson Overview
0:07
Content Aware Fill
1:39
Using the Content Aware Fill
1:40
Content Aware Move
8:10
Using the Content Aware Move
8:11
Content Aware Scale
11:30
Content Aware Scale: Demonstration 1
11:31
Content Aware Scale: Demonstration 2
15:06
Content Aware Extend
17:30
Content Aware Extend: Demonstration 1
17:31
Content Aware Extend: Demonstration 2
20:05
Lesson Summary
21:34
Retouching People: Part 1

21m 33s

Intro
0:00
Lesson Overview
0:07
Retouching People: Part 1
1:36
Retouching The Skin
1:37
Retouching Around The Eyes
6:01
Retouching The Eyes
12:06
Body Contouring: Chest
17:33
More On Retouching The Skin
20:12
Retouching People: Part 2

24m 25s

Intro
0:00
Lesson Overview
0:07
Retouching People: Part 2
1:29
Retouching The Lips
2:30
Retouching The Teeth
8:55
More On Retouching The Lips
11:43
Body Contouring: Face
13:40
Advanced Techniques For Retouching Skin
17:33
Retouching People: Part 3

20m 28s

Intro
0:00
Lesson Overview
0:09
Advanced Techniques For Retouching Portraits
0:59
Advanced Techniques For Retouching Portraits: Part 1
1:00
Advanced Techniques For Retouching Portraits: Part 2
8:14
Retouching Hair
14:02
Retouching Hair: Part 1
14:03
Retouching Hair: Part 2
15:55
IX. Filters and Blends
Basic Filters & Blend Modes

18m 26s

Intro
0:00
Lesson Overview
0:06
Basic Filters
0:36
Basic Filters Overview
0:37
Filter Gallery
1:48
Filter Gallery: Plastic Wrap
3:11
Filter Gallery: Texturizer
4:17
Blend Modes
5:40
Blend Modes Overview
5:41
Dissolve
6:06
Darken & Darken Color
6:55
Lighten
7:26
Hue, Saturation, Color and Luminosity
8:12
Demonstration 1: Lighting Effects Filter
8:41
Preparing The Image
8:42
Adding Lens Flare
9:31
Filter: Render Lighting Effects
9:51
Adding Another Lighting Effects Filter
11:38
Adding Lighting Effects Filter To The Background
13:13
Demonstration 2: More On Filters & Blend Modes
14:40
Blend Modes Demonstration
14:41
Oil Paint Filters Demonstration
15:56
Lesson Summary
18:06
Blur Filters

25m 12s

Intro
0:00
Lesson Overview
0:07
Blur & More Blur
0:54
Blur: Average
0:55
Blur
1:46
Blur More
2:41
Gaussian Blur
3:18
Gaussian Blur
3:19
Box, Lens, and Shape Blur
4:42
Box Blur
4:43
Lens Blur
6:38
Shape Blur
7:50
Motion and Radial Blur
8:39
Motion Blur
8:40
Radial Blur
9:05
Smart and Surface Blur
10:04
Smart Blur
10:05
Surface Blur
11:39
The New Blur Gallery
14:05
Tilt/Shift Blur: Demonstration 1
14:33
Tilt/Shift Blur: Demonstration 2
17:26
Field Blur
19:05
Iris Blur
22:16
The Liquify Filter

16m 17s

Intro
0:00
Lesson Overview
0:16
Demonstration 1: Using the Liquify Filter
0:34
Introduction to The Liquify Filter
0:35
The Liquify Filter Workspace and Tools Overview
1:50
The Push Tool
3:38
The Pucker Tool
3:48
The Bloat Tool
4:02
Adjusting the Face
4:15
Adjusting the Eyes
6:32
Adjusting the Body
9:24
Demonstration 2: Using the Liquify Filter
11:41
Adjusting the Image
11:42
Using The Mask Tools in the Liquify Filter
13:12
Vanishing Point Filter

18m 45s

Intro
0:00
Lesson Overview
0:07
Retouching In Perspective
0:28
Vanishing Point Filter
0:29
3D Compositing
6:44
Step 1: 3D Compositing Overview
6:45
Step 2: Creating a Plane With The Vanishing Point Filter
9:35
Step 3: Pasting and Editing The Image
11:26
Step 4: Blend Mode
15:19
X. Text
Using Text In Photoshop

31m 49s

Intro
0:00
Lesson Overview
0:07
Using Text In Photoshop
2:50
Type Tools Overview
2:51
Vertical Type Tool Demonstration
3:31
Character and Paragraph Type Panels
3:51
Linear Text
4:37
Font, Font Style, and Font Size
8:09
Leading
10:40
Tracking
11:59
Kerning
12:35
Letter Height & Width Distortion
15:45
Text Color
16:31
Character Adjustments
17:22
Paragraph Text
19:07
Alignment & Justification
19:11
Indent
23:08
Add Space
23:35
Put Type In Photograph
24:20
Put Type In Photograph
24:21
Guides and Grids
26:26
Guides and Grids
26:27
Manipulating Text

13m 58s

Intro
0:00
Lesson Overview
0:06
Manipulating Text
0:36
Warping Text
0:37
Rasterize & Free Transform
3:26
Clipping Paths
5:40
Type Effects: Bevel & Emboss
7:53
Type Effects: Drop Shadow
10:06
Type Effects: Pattern Overlay
11:17
Type Effects: Stroke
12:47
Lesson Summary
12:58
More Text Effects

16m 31s

Intro
0:00
Lesson Overview
0:07
Type On A Path
0:36
Creating A Path
0:37
Texts On A Path & How To Modify Them
1:48
Chrome Type
6:58
Step 1: Getting Started
6:59
Step 2: Rasterizing & Gradient
9:20
Step 3: Bevel & Emboss
10:45
Step 4: Merge Layer
11:10
Step 5: Curves Adjustment Layer
11:54
Step 6: Adding Color
13:54
Chrome Type Summary
14:43
Lesson Summary
15:56
XI. Cool Features
Colorize and Black & White Conversion

13m 16s

Intro
0:00
Lesson Overview
0:07
Demonstration 1: Colorize
0:32
Colorize
7:30
Demonstration 2: Black & White Conversion
7:40
Black & White Conversion Using Hue/Saturation
7:41
Black & White Conversion Using Grayscale
8:51
Black & White Conversion Using Black & White Adjustment
9:30
Demonstration 3: Black & White Conversion
11:25
Black & White Adjustment
11:26
Panorama

22m 6s

Intro
0:00
Lesson Overview
0:07
Shooting For The Panorama
0:50
Hold The Camera Steady
0:51
Overlap Your Images
1:36
Use The Same Exposure
2:02
Use The Same Zoom
2:44
Apply The Same Correction to Each Image
3:03
Scenic
3:25
Correct Way To Shoot a Panorama
3:26
Creating A Panorama In Photoshop
5:42
Adjusting The Images
6:22
Lining Up The Images
8:21
Photomerge Overview
10:02
Photomerge: Auto
12:34
Photomerge: Auto & Geometric Distortion Correction
15:36
Photomerge: Spherical
17:10
Photomerge: Collage
18:18
Photomerge: Reposition
19:20
Panorama Images Conclusion
20:10
HDR

20m 32s

Intro
0:00
Lesson Overview
0:07
High Dynamic Range (HDR) Overview
0:21
HDR Overview
0:22
How To Shoot HDR
2:49
How To Shoot HDR
2:50
Processing HDR in Photoshop
7:09
Merge Files to HDR Pro
7:10
Exposure Value (EV)
9:21
Looking at The Image
10:08
Mode: 8 bit, 16 bit, and 32 bit
11:49
Highlight Compression, Exposure and Gamma, Local Adaptation, and Equalize Histogram
13:00
Preset: Photorealistic
13:46
Preset: Scott5
14:25
Custom Preset: Edge Glow
15:25
Custom Preset: Tone and Detail
17:02
Custom Preset: Advanced & Curve
17:48
Final Result
18:41
Photo Frame Effect

21m 27s

Intro
0:00
Lesson Overview
0:08
Preparing Your Image
0:44
Gradient Overlay & Blend Mode
0:45
Layer Mask & Curves Adjustment
6:35
Merging Effects
13:07
Creating The 3D Frame
17:00
Step 1: Canvas Size
17:01
Step 2: Inner Shadow
18:08
Step 3: Sign The Image
19:49
Lesson Summary
20:49
Creating & Editing Video

26m 19s

Intro
0:00
Lesson Overview
0:07
The Video Workspace Overview
1:44
The Video Workspace Overview
1:45
Creating & Editing Video Demonstration
6:46
Importing Media
6:47
Organizing & Editing Your Clips
7:48
Adding Transitions
14:54
Using Adjustment Layers to Modify Clips
16:57
Adding Still Images
19:10
Adding a Soundtrack
20:28
Rendering Your Video
21:23
Lesson Summary
22:14
Final Edited Video
24:37
XII. Course Summary
Course Summary

6m 38s

Intro
0:00
Photoshop Course Summary
0:11
Photoshop Course Summary
0:12
Image Adjustments Review
2:11
Custom Shapes Review
5:19
Final Tip
6:03
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Introduction to Selections

  • The Most Important Technique to master in Photoshop!
  • Selections allow you to isolate an area for making changes, while protecting the rest of your image.
  • The Mantra of selections: "If You Can't Select it, You Can't Correct it!"
  • The tools most often used for making selections are:
  • The Lasso tool - makes freehand or straight edged selections
  • The Magic Wand - selects area of similar color
  • The Quick Selection tool - selects areas by looking for edges.
  • Quick Mask - allows you to view a selection as a transparent overlay, and also to create selections by painting them.
  • The Pen Tool - the most powerful selection tool - creates a path which can be converted into a selection.

Introduction to Selections

Lecture Slides are screen-captured images of important points in the lecture. Students can download and print out these lecture slide images to do practice problems as well as take notes while watching the lecture.

  • Intro 0:00
  • Lesson Overview 0:07
  • Introduction to Selections 1:28
    • Apps and Plug-ins for Photo Correction
    • Introduction to Selections
    • The Principal Selection Tools: Marquee
    • The Principal Selection Tools: Lasso
    • The Principal Selection Tools: Quick Selection and Magic Wand
    • The Principal Selection Tools: The Pen Tool
    • The Principal Selection Tools: Quick Masks & Layer Masks
    • Panels: Refine Edge
    • Panels: Mask Panel
    • Panels: Channels
    • Panels: Paths
    • Functions: Feather
    • Functions: Calculation
  • Selections Demonstration 1: Scenery 15:08
  • Selections Demonstration 2: Car 20:04
  • Selections Demonstration 3: People 22:51
  • Lesson Summary 24:06

Transcription: Introduction to Selections

Hi everybody, Mike Brown back with you, welcome back to educator.com's Adobe Photoshop CS6 course.0000

So far in this course we've gone over the workspace, we've looked at Preferences, we've gone over Bridge, the editing and sorting program--we've gone into Camera Raw which allows you to take your images and do preliminary corrections on the overall image and then bring it in Photoshop for further work.0008

We've talked about the exposure and color corrections that you can perform on your images and how you use those tools and functions, and now it's time to deal with the most important technique in Photoshop.0029

If you remember my four basic categories, the first and most important category is selections, and my mantra which you'll see in a moment; if you can't select it, you can't correct it--if you can't isolate an area precisely and properly, you can't make a correction that's flawless.0043

We're going to go over the primary selection tools, and briefly how they relate to each other, the panels and functions, all that relate to the selecting, and then in this lesson I'm going to close up by showing you a few samples of where we utilize selections and how they actually make the images far better than if you didn't have selection.0062

Alright, let's get started.0088

Let's talk for a moment about apps and plugins for photo correction.0091

I receive emails all of the time and I just got an email from a colleague the other day telling me about a new app and plugin--an app for the iPhone and all the other smartphones and also the same piece of software at a little more robust level that's available for a plugin to Photoshop, which I found.0097

There's all sorts of plugins for Photoshop that can do various and sundry things--a company called Nik (N I K) made some fabulous plugins that are far better and expansive in the black and white conversion, and also in HDR which is high dynamic range photography.0119

These are things that Photoshop has functionality but not as expansive.0138

Now, this plugin that I got the email for--$200 for a plugin to go into Photoshop that does nothing more than the same thing you can do right in Photoshop--I went over it, took a look at it and I'm absolutely amazed.0144

If you're interested in just quick fixing snapshots, taking your iPhone, taking a picture, doing some quick editing and not retouching but corrected and then popping it up on Facebook, Photoshop is not the right software for you at all, just get one of these cool apps and some of them are free, some of them cost a buck or two, they'll fix those little Photoshops up and they'll look interesting and they'll look better than they did to start with up there on Facebook and on the internet, but if you're serious, you need Photoshop.0161

In today's world of digital photography, a decent camera is inexpensive, and even the cell phone cameras are now decent quality and resolution so almost every image you take today is going to be a reasonable high quality photo.0196

Technically, it's up to you to provide the artistry to make that a good photo to take further, and there are just all these apps and plugins that you can correct all sorts of stuff; exposure, color, sharpening, all sorts of effects, old time effects, whacked out filter effects--all sorts of stuff--some of them offer basic options to retouch, crop, sharpen, color correct and so on.0213

In the end, most all of these programs can improve the look of your images, but if you're doing serious photography, Photoshop is the only solution--it's far more expensive, far more precise, and if you know how to use it right, which I'm going to teach you all of this, just as easy to use.0238

If you're working with any of these high resolution files and your end product is a high quality print, or maybe if you're a professional going to a client for an ad, poster, catalogue or even a billboard, high quality photography, precise retouching and enhancement is absolutely essential.0258

You cannot get that with any other of these plugin programs or other programs that I know of besides Photoshop.0276

Anything that these other programs that claim they can do all this magic easily, anything they can do, can be done in Photoshop equally as well, equally as fast as long as you know how to do it, and in most cases, far better than any of the apps, so Photoshop is the way.0285

What really sets Photoshop apart from all of the rest is the variety of precision, high quality tools and functions and techniques, and most notably, the array and quality of the selection tools and methods--selections are the key!0306

OK, selections are the most important technique in Photoshop--I've talked to you about this before.0326

What is a selection?0333

A selection allows you to precisely isolate an area of your image that cannot be dealt with if you are only making your corrections and adjustment to the overall image.0334

Selections immediately provide the means to take your images to a quality and creative level far beyond just making these overall adjustments--I know I'm beating it to death with a stick, but I want you to realize it's a huge difference between just correcting your overall image, and then correcting the areas that need it more with selection.0348

This feature alone of selecting sets Photoshop apart from any other plugins and apps that claim to be able to work wonders on your image.0372

Even if some of them can do a decent job, none of them, none of them offer the ability to make quality precision selections, and my mantra; if you can't select it, you can't correct it.0380

If a selection is not perfect, the effects or corrections that you apply to that area will not blend flawlessly into the image, and will immediately scream Photoshopped and immediately the value of your image and the impact on people goes to zero.0396

In this series of lessons, I'll be showing you the entire array of tools and techniques for selecting and how to use them to create perfect corrections in any situation.0415

You will learn to do this easily and efficiently--that's the big key here; easily, efficiently, with quality.0426

Once you become comfortable with understanding which selection you need, and that requires looking at your image and deciding what you need to do, and which one is the best to apply to that, and how to quickly make it an adjusted, the quality level of your imagery will go up dramatically and the creative possibilities will become endless, so let's get started on selections.0434

Here are the principle selection tools, panels and functions that summarize all of what you will need to make quality, perfect, flawless selections.0461

The tools; we have the Marquee tool which is right here in the Toolbox, very simply it makes rectangular or oval selections...it's not used that frequently, but there are uses for it, we'll go into that.0476

The primary tool that I find that I use a lot, is the Lasso tool, which is your freehand tool--it's either freehand, in other words you just make a freehand selection, or you make straight edged selections if you have specific lines on objects you can make them accurately that way, the third one is the Magnetic tool which I don't use and we'll talk about that.0495

Below that we have the quick selection and the Magic Wand tool.0523

They're similar yet decidedly different--the quick selection tool looks for edges...the Magic Wand tool selects areas of color.0528

You'll use them usually in both in similar circumstances and they kind of tie together, we'll go over that as well.0541

The Pen tool, which is right down here, is the most powerful of all the selection tools--it creates precise vector pads that you can convert into selection.0549

This tool can select anything, absolutely anything that none of the other tools can do, this one can handle it--that is an important tool.0562

Quick Mask is a very unique feature that allows you to view your selections and modify your selections by painting them, you can also create them from scratch using Quick Mask--a very valuable tool.0573

A Layer Mask is a black and white representation of a selection that is attached to a layer and blocks out the selected area from the--isolates the selected area from the remainder.0587

It can also be modified in a similar manner to Quick Mask, so as far as the tools go, let's create a blank layer up here at the top, and I want to show you that...0605

The Marquee tool and Lasso tool kind of go together if you will, because both of them are very easy to create rectangles, ellipses or in this case freehand or straight edges, and predominantly their options are feather.0624

you notice up here in the Option bar for the Marquee tool it has feather, for the Lasso tool it also has feather--feather is available and a primary thing that we're going to learn about, but these two kind of go together.0647

The quick selection as I pointed out goes with edges and the Magic Wand with color, and these two also are kind of similar--they would be used under similar circumstances, so basically we've knocked this down to two out of 4, the Pen tool stands alone.0661

The Quick Mask, which allows painting and modification and vision, and the Layer Mask to the same thing, but the Quick Mask does it directly on your image and the Layer Mask is attached to a layer.0683

So they're quite similar and also become grouped together, so in the end you have the Pen tool which is the most powerful, Marquee and Lasso which you'll use even more, and I would say equally, the quick selection/Magic Wand, and Quick Masks and Layer Masks, so what you have really is four out of these seven.0698

In terms of the panels, refine edge--notice this button over here for the Marquee, for the Lasso tool, also for the quick selection tool, for any of those tools except the Pen tool, but once you turn it into a selection, then the refine edge becomes usable.0725

And the same with the Layer Mask has a mask panel which is almost identical.0747

Let me show you very quickly...the refine edge dialog box, it's right here, it allows you to adjust things such as feather contrast, shifting the edge in and out, so on and so forth.0754

The masks panel looks almost identical to that, and when we go back to what we were talking about, masks panel and refine edge are connected--once you know one you know the other.0771

Channels are very simple; they are selections that have been saved as a black and white representation which is a mask, but in this case it's a stationary mask, so this even ties in with the masks panel, so they're all consolidated similarly.0785

Pas are created by the Pen tool and the vector shapes that can be modified, saved and made into selections.0805

Once you make them into a selection it falls to here, very simple.0813

Then we have two other functions that we use; feather, extremely important and next lesson we're going to spend looking at feather.0817

Feather is the thickness and softness of a selection edge, and this is absolutely vital, whether you have a building, let's say, which has a clean, sharp edge that you need to make an isolation and go instantly from one spot to another.0827

Or a very soft transition of maybe in the water in the ocean just gently blending something and it needs to be soft and wide, this is where feather comes in--extremely important, and calculations are a time saver that work in conjunction with channels.0847

They combine channels which you take a selection, create a channel, then you can make new selections by combining various channels, it's a time saver, so that kind of sums up what we're going to learn and if you notice, we really only have 4, 5, 6, 7 items out of this entire list and they're all inter-twined--very easy.0869

OK, so that just kind of gives you an overview, don't get crazy, we got this stuff, it's easy, so now let me show you three example of where selections actually apply, and I'm going to start with...0893

This one right here--this is the prime example to show you where selections really come into play.0914

Now, very quickly, down here...you see channels, there is a channel, but up here (we'll close the channels panel right now) these little black rectangles attached to these various layers.0921

These are all layers inside an image--you're going to be using those too--that's another feature that these other programs do not offer--layers give you the ability to do things that you cannot do any other way than using layers, such as composites, I'll show you in just a minute.0940

Now what we have here...this is the original raw file of this image that I took, untouched, just the original raw file.0958

This is the raw file that has been worked in Camera Raw--let's go back to that...there's the raw file, now it's worked in Camera Raw and I want you to note the difference.0970

Look at the sky, you have a washed out sky, we have over-exposed rocks, the color's a little washed out, the water here is just kind of muddy looking and doesn't really pop.0984

When we go and do an overall with all of the available tools to do overall corrections which, by the way, is no different--this Camera Raw is exactly light room and it's equal to any of the apps that you get out there--this is what you get.0997

Now, it's decidedly better--unquestioned you go "that's great, the sky looks good, everything else looks good here, what are you talking about?"1015

Now you notice, and I'm going to show you that that's a selection--the white area is the selected area, the blacked area is protected to allow me to put an effect on, for example, that selection--if you notice all the white area--when I go back, it's the water, and this one here is all of the greenery.1024

Go back to see that--so I have separate control for the water and the greenery, and I want to show you I also have one right here for the rocks in the foreground as well as the blown out highlighted area in the water--the whites there, these rocks and the foreground--notice that?1050

They're also selected--here's one for the sky, and here's one for the darker green areas over in this area.1071

By utilizing that whole series of--and here's one even further, just the water edge rocks, I was able to isolate those.1081

Now you notice this is all kind of flat, same lighting, it was very high sunlight--now watch the difference when I have applied 1, 2, 3, 4, 5, 6 (which one was this, that's just a tiny little area) 7, I have 7 different layers including just some overall corrections.1090

I went from, there's the original, there's Camera Raw, and there's the final one--I want to compare that to Camera Raw--look at that, we went from there, to there.1114

Now where did the selections come in play?1127

Look at the water...I was able to isolate the water and get it to look nice and blue, so instead of looking muddy and not really prominent, by the use of selections, wham, we got the water.1129

Look at the rocks here which are flatly lit, I was able to with selections darken them further, get the true richness of the Earth and pop those rocks out--this is with an overall, that's with a selection.1146

Look at the greenery, especially up here where it's a little bit dull, and in the tree area...1160

Look at the snap that you get, the difference in contrast and the pop.1169

Look up here in the upper left where the hillside doesn't have much snap and over here it's kind of dull, by using selections, snap that and finally, even though you are able to bring the sky up from this original to this with the Camera Raw, look at the difference when we changed it by the use of selections.1173

All of that after we did overall corrections--right there should tell you the story of corrections.1197

Now I'm going to show you a couple more real quick...here's a car shot, this happens to be my car actually, and that location happens to be up in Northern California, up in the mountains in winter time.1204

It's pretty flawless if you can see, that you can see the background right through the windows like you normally would, the sheet metal looks perfect, everything is flawless--this car was really sitting there--well, not true.1219

Let me show you first off, look at all of the masks that I made by the way.1235

There is mask for the pavement, here's one for the side windows, here's one for part of the rough, here's one here for just the logo--isolating the logo area, here's a whole series for the rear windows through the car, here's another one for the side of the--just that bright area on the side of the car.1240

We go down further, there's one just for the pillar over here and so on and so on and so on, and there's one back in the background--a very soft one for the mountain, one for the other side of the mountain, we have another one over here.1269

All of these little isolations to enable me to do this--oh and by the way, the bottom line is, this wasn't a single image--you cannot use any apps to do this because there's the original photograph of my car taken in a parking lot right down the street in harsh sunlight and so on.1285

If you just look at the car itself, there's all the difference in the retouch work right there...it got cleaned up, everything else got taken care of, and now the car in conjunction (let me turn the cars off) here was the stripped in car.1308

We could've used a different background, I experimented with that, that's something, but here was the original background that I stripped in, so this is actually three different pieces.1327

A different piece of pavement, the car and the background, and the use of selections all the way along to select the car to give you--by the way, let's zoom it up so I can show you...look at the perfect edge around the car.1341

All of that very complicated selection enabled me to cut the car out and drop it in without any evidence that it was done at all--all with selections--and then for those of you who work on people, here's an original shot taken by a friend of mine--I think we've talked about this one before.1359

This is the original photograph, and there's the retouched image right there.1380

Notice the eyes, notice under the eyes, notice around the blemishes, notice under the lip, notice the lips themselves, and the quality level of the skin, all changed, and even (turn that back on) see the hair over here where there's a lot of opening, the hair was fixed, and all these various selections that were used.1388

There's a lip selection, there's one for an eye, there's the face...here was the reverse from the face, there's one for the neck area and so on and so on and so on up and down to (get back to there).1414

All of that just to take this image from here, to here, could not do that with an app or another plugin.1436

So, now that you see what they can do, and you see roughly how they are applied, it should give you a good idea of the difference now between just correcting an overall image, and using selections as masks and pure selection isolated areas to fix up images to look like that, or that, or...1446

Where's the other one we had...or this one right here.1473

See you at the next lesson.1481

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