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Jessica Spinella

Jessica Spinella

The Quality Section

Slide Duration:

Table of Contents

Section 1: AP Studio Art 2-D
Intro to AP Studio Art: 2-D Design

13m 24s

Intro
0:00
Requirements
0:17
Not an Actual Exam
0:25
3 Sections
0:40
Section 1: Breadth
0:44
Section 2: Concentration
0:46
Section 3: Quality
0:52
Section 1: Breadth
1:04
12 Art Pieces To Create
1:13
Based on Principles of Art and Design
1:17
Scoring Guideline at AP Website
1:27
Section 2: Concentration
1:54
12 Art Pieces To Create
2:00
Student Driven Project
2:10
Section 3: Quality
2:21
5 High Quality Works
2:27
Mail Them to AP Central
2:36
Digital and Mailed Submissions
2:39
Timeline
2:57
Requires Time Commitment
3:08
This Course is Photography Medium Based
3:20
Photography is Just One Area of 2-D Design
3:30
Connect With Local High School
3:36
The Portfolio is due in early May
4:14
Pace Yourself, Set Up a Schedule
4:20
Most People Work On All Sections At Once
4:30
Quality Section Derived from Breadth & Concentration
4:34
OR Divide The Sections
4:54
Breadth First
5:16
Make a Plan
5:35
Tips for Success..
5:54
Download & Read AP Studio Art Course Description
6:05
Do NOT procrastinate
6:39
Labor of Love Intensive
7:12
Have Fun and Work Hard
7:42
Strong Concentration
7:51
Set Yourself Up For Success
8:05
Scoring
8:25
AP Studio Art Scoring
8:26
Goal: College Level Fine Art Photography
8:56
Scoring Basics
9:15
What the Scores Means
9:19
Some Colleges Only Accept Certain AP Scores
9:56
A Variety of Descriptors
10:38
Please Read the Scoring Guideline!
11:36
Sample Portfolio's
12:05
Check Out Older Portfolios and Their Scores
12:07
Not All Portfolios are Photography Based
12:30
Other Mediums of Your Choice Can Be Submitted
12:42
The Concentration Section

24m 34s

Intro
0:00
What is a Concentration?
0:10
A Concentration Is…
0:14
In Other Words…
0:25
Requirements
0:34
Original Idea to Strong Concept
0:39
Strong Concept Communicated Through 12 Art Pieces
1:05
Concentration Commentary
1:26
Commentary is Optional, but Recommended
1:59
Answering These Questions
2:17
Scoring
3:14
The Portfolio is Scored as a Whole, Not by Section
3:18
But Different Judges Look at Each Section
3:33
Each Section's Score is Averaged into Your Portfolio
3:44
4 Major Areas of Concern
3:55
1. Coherence and/or Development
4:24
What Is and Is Not a Concentration
4:30
A Technique is NOT a Concentration
4:47
2. Quality of the Concept/Idea Presented
5:42
Take a Simple Idea and Make it Specific
5:54
Do Not Use Human Emotion as a Concentration
6:17
A Strong Idea
6:48
3. Degree of Development and Investigation
7:06
They Want to See Growth in the Idea
7:42
4. Quality of the Work in Concept and Technique
7:57
Concept > Technique
8:30
Timeline
8:55
Start Early!
8:56
Start With 3 Ideas
9:20
Research Your Ideas
10:09
Go With Your Strongest Idea
11:07
Expect to Devote Several Months
11:24
Create More So You Can Toss Out Weaker Pieces For the Exam
11:30
Treat This Course Like a Job
12:27
Tips for Success..
13:01
Do NOT Procrastinate
13:04
Make Your Plan
13:21
Do NOT Save All the Work For the Last Week
13:31
College Board Graders are Looking For..
13:38
Sample Portfolio's
14:35
Samples Available At AP Website
14:40
Samples Available On Flickr, Photobucket, Google, etc.
14:47
Concentration Student Sample 1
15:42
Concentration Commentary
15:47
Response to Question 1
15:52
Response to Question 2
16:20
Concentration Sample 1, cont.
16:40
Continued Response to Question 2
16:41
Concentration Sample 1, cont.
17:15
Continued Response to Question 2
17:16
Had to Reshoot Some of These to Achieve Desired Results
17:30
Concentration Student Sample 1
17:55
Butterfinger
17:56
Foot Note
18:04
Concentration Student Sample 1, cont.
18:10
Green House
18:11
Ice Breaker
18:20
Concentration Student Sample 1, cont.
18:26
Key Note
18:28
Pocket Book
18:49
Concentration Student Samples 1, cont.
18:55
Shoe Lace
18:56
Under Dog
19:02
Concentration Student Samples 1, cont.
19:10
Under Pants
19:11
Water Color
19:17
Concentration Student Samples 1, cont.
19:23
Love Seat
19:25
Time Keeper
19:30
Concentration Student Sample 2
19:36
Concentration Commentary
19:37
Response to Question 1
19:44
Concentration Student Sample 2, cont.
19:59
Response to Question 2
20:00
A Concentration to Explore a Social Issue
20:28
Concentration Student Sample 2, cont.
21:02
Concentration Student Sample 2, cont.
21:05
Concentration Student Sample 2, cont.
21:08
Concentration Student Sample 2, cont.
21:11
Concentration Student Sample 2, cont.
21:14
Concentration Student Sample 2, cont.
21:17
Concentration Student Sample 2, cont.
21:20
Concentration Student Sample 2, cont.
21:24
Concentration Student Sample 2, cont.
21:32
Concentration Student Sample 2, cont.
21:39
Concentration Student 3 Sample
21:43
Concentration Commentary
21:45
Response to Question 1
21:52
Concentration Student Sample 3, cont.
22:16
Response to Question 2
22:19
A Concentration to Promote Environmental Awareness
23:27
Concentration Student Sample 3, cont.
23:33
Concentration Student Sample 3, cont.
23:38
Concentration Student Sample 3, cont.
23:42
Concentration Student Sample 3, cont.
23:46
Concentration Student Sample 3, cont.
23:49
Concentration Student Sample 3, cont.
23:53
Concentration Student Sample 3, cont.
23:57
Concentration Student Sample 3, cont.
24:00
Concentration Student Sample 3, cont.
24:04
Concentration Student Sample 3, cont.
24:08
Concentration Student Sample 3, cont.
24:11
Concentration Student Sample 3, cont.
24:13
The Breadth

16m 18s

Intro
0:00
Requirements
0:09
What is Breadth?
0:14
Principles of Design
0:33
12 Pieces That Include Those Principles
0:59
Scoring
1:28
Read the Scoring Guideline
1:37
Scoring Descriptors
1:45
1. 2-D Design Principles
1:53
2. Originality and Innovative Thinking
2:10
Fine Art, Not Snapshots
2:34
3. Application of 2-D Design Principles
2:50
4. Principles Incorporated in Composition
3:27
5. Engaging Work
3:55
6. Skill With Materials and Media
4:32
Materials: Camera and Adobe Photoshop
4:38
Learn to Use Photoshop with Educator.com
5:08
7. The Student 'Voice', Your Style
5:27
8. Image Quality
6:05
9. Overall Accomplishment and Quality
6:24
Timeline
7:02
This Course is a Guide for Your Breadth Pieces
7:18
Each Lesson is Designed with Intention
7:31
16 Lessons, 16 Projects
8:32
Get Organized!
9:16
Planning is Key!
10:14
Breadth Before Concentration
11:01
Tips for Success..
11:52
Work Hard, Do Your Very Best Work
11:55
Do NOT Procrastinate
12:31
Make a Plan for Yourself
12:40
Do NOT Save All The Work For Later
13:01
Sample Portfolio's
13:13
Samples Available at AP Website
13:14
Samples Available On Flickr, Photobucket, Google, etc.
13:31
Breadth Student Sample
13:57
Breadth Student Sample, cont.
14:04
Breadth Student Sample 1, cont.
14:09
Breadth Student Sample 1, cont.
14:14
Breadth Student Sample 1, cont.
14:21
Breadth Student Sample 1, cont.
14:27
Breadth Student Sample 1, cont.
14:56
Breadth Student Sample 1, cont.
14:59
Breadth Student Sample 1, cont.
15:08
Breadth Student Sample 1, cont.
15:22
Breadth Student Sample 1, cont.
15:29
Breadth Student Sample 1, cont.
15:40
Seven Guidelines to Better Composition: The 50

30m 8s

Intro
0:00
Guidelines to Better Composition
0:15
What is Composition?
0:21
Strong Composition
0:34
Composition Can Improve Your Photographs
0:53
Composition is a Universal Term
1:00
Architecture
1:04
Music
1:27
Art & Photography
1:37
Composition Defined
1:53
Photographic Composition is..
1:54
Composition Guidelines
2:06
Composition Cont.
2:21
Object Placement
2:22
Changing Camera Position
2:27
Example: Object Placement
2:34
Example: Shifting Camera Position
2:52
Composition, cont.
3:13
Good Pictures are Created
3:15
How Do You Create a Picture?
3:23
Careful Planning and Patient Waiting
3:27
Don't Take the Obvious Photo
3:52
Composition Guidelines Will Become Second Nature
4:27
The Seven Guidelines to Better Composition
4:50
The Seven Guidelines
4:51
Composition is a Sense of Design
5:05
1. Simplicity
5:24
The First Guideline is Simplicity
5:27
Give Your Focal Point the Most Visual Attention
5:32
Try Uncomplicated Backgrounds
5:39
Example: Simple Backgrounds
5:45
Tips to Simplicity
6:30
Simplicity is Not a Physical Attribute
6:40
Choose One Specific Subject
7:05
Exclude Unwanted Things In Your Frame
7:45
Boring Subjects = Boring Photographs
8:34
Tips to Simplicity, cont.
8:50
Keep Environmental Backgrounds Uncluttered
8:52
Move The Unwanted Objects
9:07
Use Shapes and Patterns
9:24
Use Negative Space Wisely
9:59
Unclutter As Much As Possible
10:32
Be Strong in Your Simplicity
11:29
2. The Rule of Thirds
11:50
Off-Center Photos
11:56
Use the Viewfinder, Not the Screen
12:04
Imagine Gridlines
12:22
Place Subject Along Vertical Lines
12:31
The Rule of Thirds, cont.
12:55
Example: White Dog's Face
12:56
Off-Center Placement
13:23
The Rule of Thirds, cont.
13:33
Consider the Path of Moving Subjects
13:35
Leaving Room For Movement
13:41
The Rule of Thirds, cont.
14:03
Placement of The Horizon
14:04
Example: Girl Playing Piano
14:22
The Rule of Thirds, cont.
14:53
Portrait Photography
14:56
Example: Portrait
15:01
3. Lines, Repetition & Negative Space
15:29
They Draw Your Viewer To The Focal Point
15:33
Example
15:39
Lines
16:17
Leading Lines
16:18
Diagonal Lines
16:25
S-Curve
16:43
Repetitive Lines
17:09
Repetitive Lines Draw Attention
17:12
What is Repetition
17:16
Examples
17:28
Negative Space
18:37
Attention Towards the Subject
18:38
What is Negative Space
19:04
Space Around Your Subject
19:21
Negative Space Creates Emphasis
19:43
Examples
19:50
4. Balance
20:12
3 Types of Balance
20:14
Symmetrical
20:17
Asymmetrical
20:41
Radial
20:46
Balance the Picture
21:03
Good Balance
21:17
Move the Focal Point
21:48
Balance Samples
21:59
Symmetrical Balance
22:04
Not Exactly the Same, but Uses the Same Space
22:08
Asymmetrical Balance
22:21
5. Geometric Shape
22:42
Shapes, Patterns, Symmetries, etc.
22:46
Produce a Strong Focal Point
23:08
Example
23:16
Geometric Shape Samples
23:47
Circles
23:53
Colorblocking
23:56
Repetition
24:11
6. Framing
24:24
Framing
24:29
Example
24:40
Framing, cont.
24:52
Environment as Framing
24:54
Architecture as Framing
24:59
Art as Framing
25:05
Framing, cont.
25:19
Not Literal Picture Frames
25:47
Use Objects in the Current Environment as Frames
25:58
Nature as Framing
26:05
Framing, cont.
26:20
Doorways as Framing
26:23
Archways as Framing
26:24
Unique Objects as Framing
26:25
7. Avoiding Mergers
26:34
It's Easy To Accidentally Create a Merger
26:40
Don't Let Mergers Emerge!
26:46
What is a Merger
26:49
Examples
26:59
The 50 Project
27:36
Practice Your Understanding of Composition
27:39
5 Photographs Each
27:50
Avoid Mergers
28:30
The 50 Project, cont.
28:41
Edit Your Top Photos
28:44
You Should Have Some Photoshop Experience
28:57
Don't Go Too Crazy
29:22
Educator.com's Photoshop Lessons
29:35
Adobe Creative Cloud
29:41
Form

16m 32s

Intro
0:00
Form Explained
0:15
3-D and Encloses Volume
0:17
Most Basic Element of Art
0:34
In All Sorts of Photographs
0:53
Form is Everywhere
1:00
Examples
1:05
Form Samples: Architecture
1:43
Example 1
1:54
Example 2
2:03
Example 3
2:15
Form Samples: Human Form
2:37
Shape and Form is Not Just Geometric
2:40
Example 1
3:00
Example 2
3:22
Example 3
3:45
Exploration of Human Form
3:57
Form Samples: Objects
4:34
Example 1
4:46
Example 2
5:21
Example 3
5:37
Form Samples: Abstractions
6:12
Forms You Aren't Sure What They Are
6:17
Example 1
6:24
Example 2
6:39
Example 3
6:54
Tips for Success..
7:21
Get in Close!
7:24
Use a Macro or Close Up Lens
7:53
What is a Macro Lens
7:57
Try Renting a Lens
8:30
Strongly Consider Simplicity
8:50
Explore Your Subject
9:14
Play With Your Subject
9:48
Exhaust the Subject Matter
10:27
Experiment!
10:45
Form Project
10:51
Take Photographs That Emphasize Form
10:53
Express Those Forms
10:57
Focus Primarily on Form
11:07
Design a Series of 3 Images
11:38
All 3 Need to Relate to Each Other
12:18
Create 1 Canvas Displaying All 3 Images
13:01
Student Sample 1
13:48
Collage Design Example
13:51
Composition of the Collage
14:08
Student Sample 2
14:56
One Way to Approach This Project
14:58
Composition of the Collage
15:18
Borders
15:35
Student Sample 3
15:45
Abstract Example
15:54
Locks, Chains, & Metals

11m 6s

Intro
0:00
Ugly Can Be Beautiful
0:14
Everything Can Be Photographic
0:17
More To Photograph
0:24
Push Yourself to Photograph Something Different
0:31
Locks
1:07
We Walk By Them Everyday
1:12
Beautiful Colors
1:29
Rust and Aged Objects Bring Color and Texture
1:36
Chains
2:00
Chains Can Bring Good Compositional Elements
2:03
Take Advantage of the Natural Elements
2:15
Metal
2:50
Metal is Everywhere
2:53
Rust, Rust, Rust
3:02
Tip for Success..
3:16
Get in Close!
3:21
Use a Macro or Close Up Lens
3:35
Try Renting a Lens
3:42
Rusty, Gritty, Dirty
4:03
Think About Form, Shape, Color
4:38
Remember The Rule of Thirds
5:01
Explore Your Subject!
5:23
Play With Your Subject
5:45
Exhaust the Subject Matter
6:06
Experiment!
6:27
Locks, Chains & Metal Project
6:39
Take Photos to Emphasize Locks, Chains, & Metal
6:43
Ugly Can Be Beautiful
7:03
Pay Attention to Composition
7:14
The Goal of the Assignment
7:21
Design a Series of 3 Images
7:51
Save For Submission Later On
8:13
Smart Editing
8:35
Save Separately
8:50
Student Sample 1
9:07
Student Sample 2
9:36
Saturating Rusts' Color
9:42
A Bad Idea For Rust: Black and White
10:02
Student Sample 3
10:17
Evidence

13m 24s

Intro
0:00
Evidence Understood
0:11
Photography is Evidence of Something
0:14
Photographs Represent Something Real (Even If It's Not)
0:20
Photos Refer to Reality
1:16
Evidence Can Be Almost Anything
1:56
Evidence Remains
2:06
Evidence of Movement:
2:27
Story of an Old Truck
2:34
Evidence of Waste
2:56
Story of a Dirty Beach
3:00
Creates a Relatable Experience
3:19
Evidence of Abandonment
3:33
Story of People Who Left
3:36
Tips for Success..
4:39
Choose a Theme to Work Within
4:44
Be Intentional With Your Images
5:26
Strongly Consider Composition
6:04
Something You Uncover, Discover, or Search For
6:30
Explore Ways to Communicate Your Theme
7:19
Exhaust Your Subject Matter
7:25
Experiment! Have Fun!
8:00
Project: Evidence
8:17
Choose a Theme
8:21
Design a Series of 3 Images
8:37
Make Sure Your Editing Matches the Mood
9:13
Make Images With Meaning
10:05
Save For Submission Later On
10:43
Additional Examples
10:51
Student Sample 1
11:09
Theme of Wear and Tear
11:11
Student Sample 2
11:45
Theme of Gardening
11:47
Student Sample 3
12:23
Theme of Abandonment
12:25
Repetition

14m 54s

Intro
0:00
What is Repetition?
0:16
Repetition is Echoing or Repeating
0:19
Confusion About Repetition
0:21
Gives Instant Composition
0:35
Attention Grabber
0:51
Repetition: Architecture
1:12
A Dynamic Photo of a Building
1:16
Repetition Used to Emphasize Something Else
1:31
Repetition: Objects
1:54
Everyday Objects Have Great Repetition
1:57
Photographer Used Aperture
2:37
Photographs of Instruments Are Not Very Unique
3:05
What Repetition is NOT:
3:41
A Bunch of Branches: Not Repetition
3:49
This Photo Does NOT Have Repetition
3:57
What Repetition is NOT:
4:33
Flower Petals: NOT Repetition
4:34
Why Not?
4:39
Repetition Is Very Organized
4:50
Tips for Success..
5:29
Balancing Repetition With a Simple Background
5:32
Consider Opening Your Aperture
5:53
Consider Composition As You Shoot
6:33
Consider Setting Up This Shoot
6:57
Explore Your Subject
7:24
Exhaust Your Subject Matter
7:26
Experiment!
7:27
Project: Repetition Using School/Art Supplies
7:51
School Supplies: Pencils, Pens, Notebooks, Markers, etc.
7:55
Perfect Subjects for Repetition
8:19
Gather Your Materials
8:26
Use Natural Light
8:40
Check Out Other Student Samples
9:20
Think About Your Background
9:51
Project: Repetition Using School/Art Supplies
10:54
The Goal of This Assignment
10:58
Experiment! Don't Be Boring
11:03
Design A Series of 3 Final Images
11:14
Consider Vintage Effects or a Fun Action
11:25
Using Photoshop Action
11:30
Save For Submission Later On
11:58
Student Sample 1
12:16
Student Sample 2
13:06
Student Sample 3
13:42
Other Fabulous Examples
14:19
Other Fabulous Examples
14:28
Other Fabulous Examples
14:37
Pet Portraits

10m 56s

Intro
0:00
Pet Portraits & William Wegman
0:11
William Wegman
0:19
Check Out His Gallery
0:35
Pet Portraits Are Expressive
0:42
Super Modern Photos
0:52
William Wegman: Red Toy, 2006
1:29
Created a Red Toy
1:34
High Art
1:39
Made Intentionally, Not a Snapshot
1:43
William Wegman: Intruder, 2006
1:59
Great Negative Space
2:00
Very Expressive
2:05
Stories Can Be Interpreted
2:21
William Wegman: Unnamed 1989
2:38
A Little Bit About William Wegman
2:43
Playful Piece
2:58
Collaging Photographs
3:07
William Wegman: Headover 1989
3:31
Form
3:40
Negative Space
3:54
Tips for Success..
4:01
Find a Pet
4:06
Goldfish
4:24
Plan to Spend Time With The Pet
4:40
Consider Composition
5:13
Emphasize the Pet's Expressions and Personality
5:30
Props: Optional
6:03
Think About Your Background
6:39
Play Around With Cropping
7:04
Play With The Pet
8:03
Project: Pet Portraits
8:49
3 Expressive Pet Portraits
8:53
Edit in Photoshop
9:07
Edit Intentionally
9:12
Save For Submission Later On
9:39
Student Sample 1
9:54
Student Sample 2
10:04
Student Sample 3
10:32
Still Life

14m 8s

Intro
0:00
Still Life Photography
0:09
About Still Life
0:13
What is a Still Life
0:28
Typical Still Life Objects
0:44
Manmade Setting
0:57
Popular Since the 17th Century
1:33
Still-Life: Traditional Style
2:09
Paintings
2:13
Kitchen Objects
2:24
Still-Life: a Modern Take
2:51
Garage Objects
2:53
Negative Space
3:08
Rule of Thirds
3:14
Think About Composition While Setting Up
3:21
Still-Life: a Modern Take
3:44
Various Objects
3:47
Lighting
3:55
Asymmetrical Composition
4:06
Calling Your Inner Interior Designer
4:18
Resources/Inspiration for Objects
4:27
Remember
4:45
Tips for Success..
4:55
Choose a Theme
4:59
Some Suggestions
5:07
Set It Up
6:00
Lighting
6:16
Consider Composition
4:46
Think about Background
7:09
Experiment!!
7:37
Explore, Create, Exhaust the Subject
7:56
Project: Still-Life
8:13
4 Images
8:18
Edit in Photoshop
8:25
Be Intentional With Your Editing
8:50
Save For Submission Later On
9:10
Student Sample 1
9:23
Student Sample 2
10:39
Student Sample 3
11:24
Student Sample 4
12:16
Student Sample 5
13:02
Student Sample 6
13:23
Colors

12m 11s

Intro
0:00
Color Theory
0:12
The Color Wheel
0:20
Color Harmony & Context
0:42
Color in Photography
0:44
The Color Wheel
0:53
Color Through Time
0:55
Today's Color Wheel
1:01
The Rainbow
1:15
Warm vs. Cool
1:25
The Color Wheel, cont.
1:34
Primary Colors
1:41
Secondary Colors
1:58
Tertiary Colors
2:12
Color Harmony
2:33
Arrangement of Colors
2:37
We Naturally Pair Certain Colors Together
2:41
Color Context
3:02
Examples
3:07
Color in Photography
3:31
Peter Lik Photography
3:38
Known for Bright Colored Photography
3:52
Example
4:00
Color in Photography, cont.
4:16
Complimentary Color Scheme
4:26
What is a Complimentary Color
4:30
Examples
4:41
Opposites on the Color Wheel
5:03
Color in Photography, cont.
5:15
Analogous Color Schemes
5:17
Warm Colors
5:25
Example
5:35
Color in Photography, cont.
5:59
On your Own
6:01
Color Matters
6:20
What Colors Mean
6:28
Tips for Success..
6:45
Choose a Color Theme
6:49
Consider Composition
7:48
Think About Your Background
7:57
Experiment
8:18
Explore, Create, Exhaust Your Subject
9:00
Project: Color
9:17
A Series on Color Theory
9:19
4 Different Images
9:22
Be Intentional
9:27
Images Relate to Each Other
9:28
Use Photoshop
10:05
Design a Collage
10:20
Student Sample 1
10:36
Student Sample 2
11:09
Student Sample 3
11:41
Passageways

10m 29s

Intro
0:00
Passageways
0:09
A Passageway
0:10
Different Shapes and Sizes
0:18
Often Overlooked
0:22
Consider the Beauty of Everyday Life
0:36
Passageways: Perspective
0:49
Perspective in Art and Photography
0:55
One-Point Perspective
1:10
Using Perspective
1:32
Passageways: Perspective
1:46
Two-Point Perspective
1:49
Can Be Any Direction
1:58
Passageways Examples
2:12
Passageways Examples
2:25
Tips for Success..
3:10
Leading Lines
3:19
Photo Adventure
3:41
Pay Attention to Space
3:51
Create Interesting Compositions
4:07
Think About the Architecture
4:25
Limit Distractions
4:46
Connect Images
5:12
Consider One or Two Point Perspective
5:19
Project: Passageways
5:47
4 Images of Passageways
5:50
What to Think About
6:00
Solo Stand-Alones or a Collection
6:19
Enhance in Photoshop
6:47
Be Intentional
6:49
Save for Submission Later On
7:33
Student Sample 1
7:50
Student Sample 2
8:39
Student Sample 3
9:13
Student Sample 4
9:38
Texture

11m 8s

Intro
0:00
Visual Texture
0:15
Everything Has Texture
0:16
Placing Emphasis on Texture
0:27
No Flat Images
0:46
Visual Texture: Examples
1:18
Examples
1:19
Visual Texture
1:45
Visual Texture: Examples
2:00
Reach in and Touch it
2:02
Like Crunching Leaves
2:07
Visual Texture: Examples
2:35
Still Maintaining Great Composition
2:37
Crunch Leaf
2:55
Visual Texture: Examples
3:06
Water Drops
3:08
Wet Texture
3:16
Tips for Success..
3:24
Photo Adventure
3:31
Avoid Flat Images
4:05
Think About Getting In Close
4:52
Blurred Backgrounds May Help
5:17
Limit Distractions
5:39
Let Us Feel the Texture
6:08
Emphasize the Texture
6:41
Project: Texture
7:13
3 Images
7:17
Solo or Collection
7:48
Enhance in Photoshop
8:08
Be Intentional
8:13
Save for Submission Later On
8:59
Student Sample 1
9:25
Student Sample 2
9:59
Student Sample 3
10:25
Student Sample 4
10:45
Photo Documentary

11m 8s

Intro
0:00
Photo Documentary
0:10
Who Are You?
0:16
Photo Documentary
0:22
What Matters to You?
0:28
Dig Deeper
0:52
Documentary Style Photographs
1:07
Defining Features of Documentary Style
1:10
Nothing is Set Up
1:16
100% Real
1:34
Communicates a Stance
1:57
Tells a Story
2:21
Empower, Provoke, Elicit
2:43
Documentary Style Photos in History: Dorthea Lange
3:14
Migrant Mother
3:25
Dorthea Lange
3:30
The Story
3:40
Documentary Style, cont.
4:39
Dorthea Lange
4:40
Bread Line
4:42
Communicates a Story
4:55
Documentary Style, cont.
5:05
Check This One Out Yourself
5:11
Tips for Success..
5:23
Stop and Consider What's Important to You
5:29
What is Achievable
6:03
Research Before You Shoot
6:34
Pay Attention to Composition
7:02
Project: Photo Documentary
7:42
3-4 Part Documentary Series
7:45
Enhance in Photoshop
8:14
Create a Solo Piece
8:41
Save For Submission Later On
9:11
Student Sample 1
9:16
Student Sample 2
9:43
Student Sample 3
10:17
Negative Space

9m 28s

Intro
0:00
Negative Space Explained
0:15
Area Around and Between Subjects
0:20
Use of Negative Space
0:39
Most Effective When..
0:56
Try Opening Your Aperture
1:18
Negative Space Examples: Shadows & Silhouette
1:47
Example: Cove
1:55
Example: Wedding
2:17
Example: Staircase
2:39
Negative Space Examples: Empty Backgrounds
2:57
Example: Telephone
3:02
Example: Pier
3:42
Example: Telephone Poles
3:50
Negative Space Examples: Background Blur
3:54
Example: Bug
4:03
Example: Leaves
4:12
Tips for Success..
4:38
Choose a Subject
4:43
Put Some Variety in Your Portfolio
4:52
Create Negative Space
5:24
Experiment!
5:59
Don't Forget the Rule of Thirds
6:33
Project: Negative Space
6:58
4 Images of Negative Space
7:00
Enhance in Photoshop
7:04
Save Solo Images or Put Together
7:14
Save for Submission Later On
7:23
Student Sample 1
7:28
Student Sample 2
7:58
Student Sample 3
8:23
Student Sample 4
8:47
Self-Portrait

16m 9s

Intro
0:00
Self-Portraiture in Photography
0:20
The Photographer is the Subject
0:30
Very Common Subject Matter
0:50
Even Earliest of Photographers Made Self-Portraits
0:55
Photography Started As Science
1:06
Taken Via Timer or Remote of Yourself
1:32
Your Likeness
1:56
Self-Portraits in Photographic History
2:18
Andy Warhol
2:25
Conveying Something Interesting
2:32
Check Out His Other Works
2:43
Self-Portraits in Photographic History
2:49
Hippolyte Bayard
2:54
Photograph Was Set Up
2:58
Self-Portraiture Has Been Around for a Long Time
3:04
Self-Portraits in Photographic History
3:30
Giles Duley
3:33
Telling
3:46
Nice Contrast
4:00
Tips for Success..
4:10
Consider Different Aspects of You
4:12
How Do You Identify Yourself?
4:45
Do Your Research
5:01
Experiment!
5:52
Don't Forget Composition
6:40
Props Can Help To Get Situated
6:52
Project: Public & Private Self-Portraits
7:11
6 Self-Portrait Images
7:28
3 Images of Public You
8:03
3 Images of Private You
8:35
Edit in Photoshop, Create Layers
9:21
Basically 6 Mini Collages
10:09
Assemble
10:47
Save for Submission Later On
11:20
Student Sample 1
11:57
Student Sample 2
13:38
Student Sample 3
14:30
Student Sample 4
15:12
Nature

10m 38s

Intro
0:00
Nature Photography
0:13
Nature Subject Matter
0:16
Difficult to be Edgy
0:38
Most Photographed Subject
0:52
Cliché Subject
1:20
Nature Images: Ansel Adams
1:47
Ansel Adams
1:55
His Work is Everywhere
2:25
Nature Images: Peter Lik
2:45
Peter Lik
2:46
Very Vibrant Colors
3:10
Tips for Success..
3:24
Composition
3:29
Color
4:15
Experiment!
5:06
Do a Flickr Search
5:59
Do Research
6:27
Don't Use Your Cell Phone
6:55
Project: Nature
7:27
3 Image Series
7:29
Enhance in Photoshop
8:14
Save for Submission Later On
8:56
Student Sample 1
9:10
Student Sample 2
9:25
Student Sample 3
9:39
Student Sample 4
10:03
Expressive Portraits

16m 58s

Intro
0:00
Expressive Portraits
0:12
Photographs of People Expressing Mood or Personality
0:15
Visually Speaks
0:31
Compelling and Intentional
0:44
Annie Leibovitz
0:50
Lighting
1:16
Use of Light
1:26
Avoid Shooting During Midday
1:38
Golden Hour
2:10
2 Light Sources
2:57
1. Hard Light
3:03
2. Fill Light
3:19
Flash
3:58
Reflector
5:00
You Can Use Car Reflectors, Too
6:01
Expressive Portraits: Annie Leibovitz
6:37
Blues Brothers
6:44
Making It Expressive
6:50
Expressive Portraits: Annie Leibovitz
7:14
John Lennon
7:16
The Story
7:23
John Lennon and Yoko Ono
7:36
Expressive Portraits: Annie Leibovitz
7:52
Covers for Vanity Fair, Vogue
7:56
Leibotvitz Sets Up Her Vision
8:22
Annie Leibovitz
8:55
Annie Leibovitz: A Life Through a Lens
8:57
Available on Amazon
9:02
Made in 2009
9:09
Wonderful!
9:15
Tips for Success..
9:34
Practice Putting Your Subject at Ease
9:36
Composition!
10:26
Experiment!
10:54
Go on Location!
11:32
Download Portrait Pose Guide
12:37
Project: Expressive Portraits
13:14
5 Images Series
13:15
Find Your Inner Leibovitz
14:00
Enhance in Photoshop, But Not Too Much
14:45
Save Submissions for Later On
15:28
Student Sample 1
15:47
Student Sample 2
16:13
Student Sample 3
16:29
Choose Your Own Adventure

10m 31s

Intro
0:00
What's Missing?
0:13
What is Your Portfolio Missing?
0:30
Filling in the Gaps
1:05
Ask a Trusted Opinion
1:19
Genres of Photography
1:36
What's Missing?, cont.
2:11
Principles of Art
2:12
Make Sure You Have These
2:25
Photographers for Inspiration
2:50
Shows in Reputable Galleries
3:00
Find on Gallery Websites
3:33
Find a Photographer of the Genre You're Missing
3:35
Getty.edu
3:54
Tips for Success..
4:19
Research Your Inspiration
4:23
Observe How They Create Their Work
4:36
'Joiners'
4:47
Why Did You Choose That Artist
5:30
Don't Forget About Composition!
6:07
Project: Choose Your Own Adventure
6:20
Make the Guidelines
6:23
At Least 1 Image
6:52
Edit Similarly
7:39
Student Sample 1: David Hockney Inspiration
9:00
Student Sample 2: Langenhiem Brothers
9:49
The Quality Section

24m 18s

Intro
0:00
What is the Quality Section?
0:20
According to College Board..
0:48
5 High Quality Works
0:51
Your Best Works
1:07
Physical Prints
1:30
Turn in a Repeat
1:48
Represents You as an Artist
2:16
Requirements
2:30
Print Your Pieces
2:35
Substantial When Printed
3:58
Images MUST Be Matted
5:28
Framing Stores Can Custom Cut Mattes
5:42
Easy to Find Pre-Cut for Standard Sizes
6:42
Ready Made Mattes Online
7:25
Flapping is Done with Newsprint Paper
8:00
Scoring
9:00
Download and Read the Scoring Guide
9:11
How the Quality Section is Scored
9:35
Use of Design
9:42
Intention in Composition
10:13
Originality, Imagination, and Invention
10:30
Experimentation
10:58
Scoring, cont.
11:18
Confident, Evocative Work
11:28
Technical Competence
11:55
Student Voice
12:53
Overall Accomplishment and Quality
13:11
Timeline
13:32
The Quality Section is Last
13:37
Have Most of Your Work Done
14:01
Tips for Success..
14:55
Ask for Help
15:02
Be 100% With Every Printed Piece
15:38
Give Yourself 2 Weeks to Print, Matte, Flap
16:22
DO NOT Turn in a Poor Print
17:06
Finish Your Quality Section a Week Before the Exam
17:23
Sample Portfolio's
18:19
AP Central
18:35
Flickr
18:45
Matting Photography
19:15
White, Black, or Grey
19:30
Beveled Interior Edge
20:01
Buy Pre-Cut Matte Board
20:18
Acid Free Artists Tape
20:59
DO NOT Write on the Matte
21:35
Watch YouTube for Help
21:58
Flapping Your Matted Photography
22:34
1. Measure Your Flap
22:51
2. Cut Angles
23:24
3. Fold and Tape
23:32
Newsprint Paper
23:53
Turning In Your Portfolio

12m 30s

Intro
0:00
Web Submission: Saving Your Spot
0:12
Web Submission
0:17
Connect With a Local High School
0:34
Ask the School For..
1:17
1. School Code
1:51
2. Teacher Code
2:06
You Need These to Log In
2:37
Date, Time, & Location
3:25
Web Submission: Registering Online
4:03
AP Central Exam Info
4:20
Watch the Demo Video
4:23
1. How to Register
4:28
2. How to Log In
4:30
3. How to Load Your Photos
4:31
4. How to Label Photo Dimensions
4:33
5. Where Your Concentration Commentary Goes
4:36
Basically Everything
4:39
Web Submission: Image Prep
4:45
Recommended Image Sizes:
4:54
Landscape Orientation
4:57
File Sizes
5:30
Portrait Orientation
5:50
Image Size Above Are Recommendations
6:30
Between 1 and 3 MB
6:38
Web Submission: Forwarding Your Portfolio
7:29
You Need Your AP Number
7:32
When You Are 100% Satisfied:
8:57
Forward Portfolio
8:59
Make Sure All Codes Are Correct
9:10
Day of the Test
9:33
Bring All 5 Pieces (Matted & Flapped)
9:48
Already Forwarded Your Online Portfolio
9:55
Blue or Black Ink Pen
10:02
Bring Your AP Booklet
10:16
Final Tips
10:55
Do Your Best
11:00
Keep Your AP Booklet
11:43
GOOD LUCK!!
12:13
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The Quality Section

Lecture Slides are screen-captured images of important points in the lecture. Students can download and print out these lecture slide images to do practice problems as well as take notes while watching the lecture.

  • Intro 0:00
  • What is the Quality Section? 0:20
    • According to College Board..
    • 5 High Quality Works
    • Your Best Works
    • Physical Prints
    • Turn in a Repeat
    • Represents You as an Artist
  • Requirements 2:30
    • Print Your Pieces
    • Substantial When Printed
    • Images MUST Be Matted
    • Framing Stores Can Custom Cut Mattes
    • Easy to Find Pre-Cut for Standard Sizes
    • Ready Made Mattes Online
    • Flapping is Done with Newsprint Paper
  • Scoring 9:00
    • Download and Read the Scoring Guide
    • How the Quality Section is Scored
    • Use of Design
    • Intention in Composition
    • Originality, Imagination, and Invention
    • Experimentation
  • Scoring, cont. 11:18
    • Confident, Evocative Work
    • Technical Competence
    • Student Voice
    • Overall Accomplishment and Quality
  • Timeline 13:32
    • The Quality Section is Last
    • Have Most of Your Work Done
  • Tips for Success.. 14:55
    • Ask for Help
    • Be 100% With Every Printed Piece
    • Give Yourself 2 Weeks to Print, Matte, Flap
    • DO NOT Turn in a Poor Print
    • Finish Your Quality Section a Week Before the Exam
  • Sample Portfolio's 18:19
    • AP Central
    • Flickr
  • Matting Photography 19:15
    • White, Black, or Grey
    • Beveled Interior Edge
    • Buy Pre-Cut Matte Board
    • Acid Free Artists Tape
    • DO NOT Write on the Matte
    • Watch YouTube for Help
  • Flapping Your Matted Photography 22:34
    • 1. Measure Your Flap
    • 2. Cut Angles
    • 3. Fold and Tape
    • Newsprint Paper

Related Books

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