Intervals, AP Music Theory

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Intervals

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I. AP Music
	Note Reading	12:37
	Scales	23:25
	Key Signatures	18:41
	Intervals	33:19
	Triads	26:11
	Seventh Chords	19:42
	Inversions of Triads	17:27
	Inversions of Seventh Chords	19:11
	Part Writing Root Position Triads	24:41
	Voice Leading	18:24
	Cadences	15:04
	Part Writing First Inversion Triads	25:10
	Part Writing Second Inversion Triads	17:14
	Non-Harmonic Tones	24:16
	Part Writing Seventh Chords	25:28
	Secondary Dominants & Leading Tone Chords	27:09
	Modulation to Closely Related Keys	28:03
	Phrases & Periods	38:39
	Binary & Ternary Forms	39:15
	Modes	14:25

AP Music Theory


Note Reading			12:37
	Intro		0:00
	Lesson Objectives		0:10
	Note Names on the Keyboard and Staff		0:30
		Helpful Tip to Remember	0:37
	Memory Aids		3:46
	Ledger Lines		5:41
	Example 1		7:21
	Example 2		9:29
	Example 3		10:23
	Example 4		11:20
Scales			23:25
	Intro		0:00
	Lesson Objectives		0:07
	Whole Steps & Half Steps		0:36
		Whole Steps	1:31
		Half Steps	1:37
	The Major Scale		3:31
	Minor Scales 1: Natural Minor		5:07
		Natural Minor Starts Here	5:31
		Write Notes on Staff	5:45
	Minor Scales 2: Harmonic Minor		7:11
		G Sharp	7:27
		Write Notes On Staff	8:04
	Minor Scales 3: Melodic Minor		8:12
		Descending Form on Scale	9:29
		Ascending Form on Scale	10:02
		Write Notes on Staff	10:27
		Melodic Minor Ascending: Whole & Half Step Pattern	11:10
		Melodic Minor Descending: Whole & Half Step Pattern	11:51
	Example 1		12:29
	Example 2		15:41
	Example 3		18:31
	Example 4		20:56
Key Signatures			18:41
	Intro		0:00
	Lesson Objectives		0:07
	Why Key Signatures?		0:45
	Using Scale Patterns to Find Key Signatures		2:50
		Major Scale Reminder	3:00
	The Circle of Fifths		5:36
	Example 1		11:41
	Example 2		13:52
	Example 3		15:34
	Example 4		17:37
Intervals			33:19
	Intro		0:00
	Lesson Objectives		0:07
	Definition		0:28
		What Is An Interval?	0:32
		Melodic Example	1:00
		Harmonic Example	1:07
	Interval Numbers		1:30
		Compound Interval	2:49
	Interval Spellings		3:26
		Number & Note Name	3:45
	Interval Qualities		5:24
		Major Scale	6:35
		Perfect	7:14
		Minor	7:38
	Interval Alterations		8:55
		Augmented Interval	9:42
		Diminished Interval	10:11
		Chart to Remember Interval Sizes	10:22
	Using Key Signatures to Find Intervals		10:49
		Practice Example: Major	12:03
		Practice Example 2: Major	12:30
		Practice Example: Minor 3rd	12:59
		Practice Example: Minor 6th	13:33
		Practice Example: Minor 7th	13:53
	Using Key Signatures to Find Intervals, Part 2		14:13
		Example: Major 3rd Above D Sharp	14:28
		Example: Minor 6th Above G Flat	15:42
	Inverting Intervals		16:45
		What Major, Minor & Perfect Becomes	18:20
	Example 1		19:09
	Example 2		22:42
	Example 3		24:35
	Example 4		30:33
Triads			26:11
	Intro		0:00
	Lesson Objectives		0:07
	Triads in Major		0:30
		Quality of Triads	2:09
		Upper Case = Major Triads	2:17
		Lower Case = Minor Triads	2:28
		Example: E Major	2:55
		Tonic Degree	4:09
		Supertonic Degree	4:13
		Mediant Degree	4:21
		Subdominant	4:28
		Dominant	4:35
		Submediant	4:40
		Subtonic	4:49
	Triads in Minor		5:47
		a Minor	5:55
		d Minor	6:58
	Major Triads		8:04
		Construct Major Triad: E flat	9:22
		Construct Major Triad: D Flat	10:55
	Minor Triads		11:44
		Construct Minor Triad: F Sharp	12:30
	Diminished Triads		14:02
		Find Diminished Triad in B Major	15:02
		Find Diminished Triad in B Minor	16:00
	Augmented Triads		16:49
		Structure	17:12
		Turn E Major Chord Into Augmented Triads	17:39
		Turn A Minor Chord Into Augmented Triads	18:52
	Example 1		20:08
	Example 2		21:11
	Example 3		22:52
	Example 4		24:19
Seventh Chords			19:42
	Intro		0:00
	Lesson Objectives		0:07
	Seventh Chords in Major		0:26
	Seventh Chords in Minor		2:56
		Minor, Major, Dominant, Diminished	4:44
	Major Seventh Chords		5:33
		Practice	6:07
	Minor Seventh Chords		7:10
		Practice	7:35
	Dominant Seventh Chords		8:38
		Practice	9:10
	Diminished Seventh Chords		10:14
		Half-Diminished Seventh Chord	10:55
		Practice	11:17
	Half-Diminished Seventh Chords		12:22
	Example 1		13:50
	Example 2		14:58
	Example 3		15:57
	Example 4		17:14
Inversions of Triads			17:27
	Intro		0:00
	Lesson Objectives		0:07
	First Inversion Triads		0:25
		Root Position	0:54
		Invert Chord	1:05
		First Inversion Chord	1:24
		Example With Minor Chord	2:00
	Second Inversion Triads		2:38
		Example With Diminished Chord	3:30
	Figured Bass Symbols		4:27
		Example With C Major	6:23
		Example With 2nd Minor	7:18
		Example With 2nd Inversion	8:51
	Example 1		10:01
	Example 2		11:06
	Example 3		12:26
	Example 4		14:22
Inversions of Seventh Chords			19:11
	Intro		0:00
	Lesson Objectives		0:07
	First Inversion Seventh Chords		0::30
		Start w/ Root Position Chord	0:39
		Review Third Chord In Base	1:48
	Second Inversion Seventh Chords		2:01
		Example: Minor Seventh Chord	2:59
	Third Inversion Seventh Chords		3:43
		Example: E Major Seventh Chord	5:14
	Figured Bass Symbols		6:32
		Example: Third Inversion Seventh Chord	8:55
		Another Example	9:43
	Example 1 (Practice Problem)		10:44
	Example 2		13:03
	Example 3		15:48
	Example 4		17:15
Part Writing Root Position Triads			24:41
	Intro		0:00
	Lesson Objectives		0:08
	Roots a 4th Apart		0:37
		Rule 1 to Keep In Mind	1:24
		Rule 2 to Keep In Mind	1:54
		Practice Example	4:16
		Practice Example	5:40
	Roots a 3rd Apart		8:47
		Practice Example	11:07
	Roots a 2nd Apart		11:57
		Practice Example	14:20
		Practice Example	15:34
	Example 1		16:20
	Example 2		18:00
	Example 3		20:03
	Example 4		22:10
Voice Leading			18:24
	Intro		0:00
	Lesson Objectives		0:09
	Voice Ranges		0:38
		Soprano Voice	1:04
		Alto Voice	1:11
		Tenor Voice	1:20
		Bass Voice	1:29
	Parallel Motion		2:07
	Similar Motion		3:55
		Definition	4:16
		Example:Contrary Motion	4:46
	Oblique Motion		6:03
		Definition	6:09
	Open and Closed Spacing		6:51
		Closed Spacing Definition	7:40
		Open Spacing Definition	8:56
	Common Voice Leading Errors		10:15
		Parallel Octaves	10:34
		Parallel Fifths	11:22
		Spacing	12:18
		Completed Chords	13:48
		Taking Over Other Voices	14:31
		Voice Crossing	15:25
	Example 1		15:41
	Example 2		16:09
	Example 3		16:51
	Example 4		17:38
Cadences			15:04
	Intro		0:00
	Lesson Objectives		0:06
	Perfect Authentic		0:30
		Example: Perfect Authentic Cadence Minor	1:39
	Imperfect Authentic		3:05
		Definition	4:00
	Half Cadence		4:42
		Definition	4:53
		Example: Half Cadence in Minor	5:30
	Plagal Cadence		6:49
		Example: Plagal Cadence in Minor	7:49
	Deceptive Cadence		8:25
		Definition	8:30
		Example: Deceptive Cadence in Minor	9:52
	Example 1		11:01
	Example 2		12:02
	Example 3		12:59
	Example 4		13:45
Part Writing First Inversion Triads			25:10
	Intro		0:00
	Lesson Objectives		0:09
	Substituting First Inversion Chords		0:35
		Main Use of First Inversion Chord	1:24
	Parallel First Inversion Chords		6:01
	First Inversion Chords in Sequence		9:48
	Example 1		13:11
	Example 2		16:46
	Example 3		20:35
	Example 4		22:30
Part Writing Second Inversion Triads			17:14
	Intro		0:00
	Lesson Objectives		0:08
	Passing Second Inversion Chords		0:28
		Start At Base Line	0:58
	Neighboring Second Inversion Chords		3:03
		Why It's Called Neighboring	3:48
	The Cadential Second Inversion Chord		4:28
		Tips to Remember	6:47
	Arpeggiating Bass Second Inversion Chords		7:12
	Example 1		8:33
	Example 2		10:52
	Example 3		13:11
	Example 4		15:01
Non-Harmonic Tones			24:16
	Intro		0:00
	Lesson Objectives		0:07
	Passing Tones		0:28
		Practice Example	3:19
	Neighboring Tones		4:48
	Suspensions		6:27
		3 Parts	6:54
	Appoggiaturas		12:15
		Defined As Approggiaturas Because…	13:50
	Pedal Point		14:15
		Definition	15:54
	Example 1		16:15
	Example 2		18:18
	Example 3		20:22
	Example 4		21:22
Part Writing Seventh Chords			25:28
	Intro		0:00
	Lesson Objectives		0:08
	Preparing and Resolving the 7th		0:42
		Example With Minor Key	3:30
	V7 and Its Inversions		6:03
		Difference Between V7 & Other Seventh Chords	6:10
	Seventh Chords in Sequence		9:55
	Example 1		15:16
	Example 2		18:21
	Example 3		20:13
	Example 4		22:02
Secondary Dominants & Leading Tone Chords			27:09
	Intro		0:00
	Lesson Objectives		0:10
	Dominants and Secondary Dominants		0:34
		Definition	1:16
		Practice Example	3:19
	Leading Tone and Secondary Leading Tone Chords		6:09
		Example: Minor Key Note	6:25
		Practice Example	8:31
	A Progression with Secondary Dominants		9:41
		Start With Basic Progression	10:07
		Where Can You Introduce Secondary Dominants	11:01
		Embellish With Another Secondary Dominant	12:40
	A Progression with Secondary Leading Tone Chords		16:02
		Embellish with Secondary Leading Tone Chords	17:13
	Example 1		21:43
	Example 2		22:50
	Example 3		24:10
	Example 4		26:07
Modulation to Closely Related Keys			28:03
	Intro		0:00
	Lesson Objectives		0:08
	Closely Related Keys		0:27
		Relative Minor	1:26
		Key Signatures	2:05
		How to Tell Closely Related Keys	2:50
		Example: F Major	3:40
	Chords Common to More than One Key		5:32
		Example: F Major	6:42
		Which Chord 2 Keys Have in Common	7:29
	Modulating with a Common Chord 1		9:03
	Modulating with a Common Chord 2		12:37
	Example 1		17:16
	Example 2		18:54
	Example 3		20:57
	Example 4		23:19
Phrases & Periods			38:39
	Intro		0:00
	Lesson Overview		0:09
	A Musical Phrase		0:23
		Build Phrases	2:07
		Focus on Base & Melody	3:19
		Important Idea/ Summary of Phrases	5:37
	The Form of a Period		6:08
		Components of a Period	6:23
		Practice: Write Out All the Harmonies	10:03
	Writing a Period		13:04
	Example 1		20:40
	Example 2		22:34
	Example 3		27:39
	Example 4		33:11
Binary & Ternary Forms			39:15
	Intro		0:00
	Lesson Objectives		0:08
	Binary Form Diagram		0:29
		2 Parts for Binary Form	0:43
	Writing a Binary Form		3:23
	Ternary Form Diagram		16:47
		3 Parts	17:02
	Writing a Ternary Form		19:19
	Example 1		24:41
	Example 2		28:28
	Example 3		32:09
	Example 4		35:35
Modes			14:25
	Intro		0:00
	Lesson Objectives		0:06
	Ionian Mode		0:36
		Ionian Mode Placement	0:56
	Dorian Mode		1:26
		Dorian Mode Drawn On Scale	1:38
		Where Dorian Differs From Ionian	3:12
	Phrygian Mode		2:39
		How Phyrgian Differs	3:30
	Lydian Mode		3:42
		Lydian Mode Compared to Major Scale	4:18
	Mixolydian Mode		4:40
		Mixolydian Mode Compared to Major Scale	5:15
	Aeolian Mode		5:29
	Locrian Mode		5:54
		Locrian Mode Compared to Minor Key	7:14
	Example 1		7:28
	Example 2		8:39
	Example 3		9:40
	Example 4		12:05

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Intervals

AP Music Theory

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